JACQUES BREL IS ALIVE AND WELL AND LIVING IN PARIS
Sunday, April 10th, 2011
When the musical revue Jacques Brel Is Alive And Well And Living In Paris began its over four-year-long run off-Broadway in January of 1968, Jacques Brel was indeed still alive, and at the age of thirty-eight, one assumes still well and most likely still living in Paris. Sadly, a little over ten years later, Brel was dead at forty-nine, a life ended much too soon.
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JAMAICA, FAREWELL
Wednesday, April 6th, 2011
Check the local theater listings and it seems at times that every performer has an autobiographical solo show up his or her sleeve. Few solo shows, however, ever achieve the success of Debra Ehrhardt’s Jamaica, Farewell, with Rita Wilson (aka Mrs. Tom Hanks) as its above-the-title producer and Joel Zwick, the director of My Big Fat Greek Wedding and every single Hershey Felder one-man-show, at its helm.
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BIG RIVER
Saturday, April 2nd, 2011
Glendale Centre Theatre’s in-the-round stage provides the perfect setting for the 1985 Tony-winning Best Musical Big River: The Adventures of Huckleberry Finn, placing the audience smack dab in the middle of the Mississippi with Huck and Tom’s self-propelled raft just yards away from even the farthest onlooker.
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THE ALL NIGHT STRUT!
Saturday, April 2nd, 2011
The fabulous sounds of 1940s swing, bebop, and jive are alive and well and living in Burbank as The Colony Theatre presents the musical revue The All Night Strut!, an entertaining follow-up to last year’s Jacques Brel Is Alive And Well And Living In Paris and one that proves the axiom that when you’re on a revue roll, “Why mess with a good thing?”
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THE COMEDY OF ERRORS
Wednesday, March 23rd, 2011
You haven’t seen Shakespeare’s The Comedy Of Errors till you’ve seen it “Burlesque On Brand” style, courtesy of director extraordinaire Michael Michetti at A Noise Within.
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TO KILL A MOCKINGBIRD
Wednesday, February 9th, 2011
As I sat last night watching the lives of Atticus, Scout, Jem, and the rest of the characters created by Harper Lee in To Kill A Mockingbird, I couldn’t help looking at the audience around me, mostly seniors, their ages hovering around 76, give or take a few years, and think of the changes that have taken place in our society since 1935, the year Lee’s novel-turned-play takes place, the year in which many of those audience members first saw the light of day.
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ONE TOUCH OF VENUS
Monday, February 7th, 2011
Sparkling performances and Richard Israel’s deft direction make One Touch Of Venus, Musical Theatre Guild’s latest revival, a delightful 1940s bonbon.
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FOREVER PLAID
Sunday, January 16th, 2011
The Plaids of Forever Plaid are back, entertaining Glendale Centre Theatre audiences with their close-harmony vocals and amusing between-song patter in a 90-minute revue that couldn’t be a better choice for the retired seniors who make up the bulk of GCT audiences—and should prove entertaining to the under-65 set as well.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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