ONE TOUCH OF VENUS


Sparkling performances and Richard Israel’s deft direction make One Touch Of Venus, Musical Theatre Guild’s latest revival, a delightful 1940s bonbon.
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FOREVER PLAID


The Plaids of Forever Plaid are back, entertaining Glendale Centre Theatre audiences with their close-harmony vocals and amusing between-song patter in a 90-minute revue that couldn’t be a better choice for the retired seniors who make up the bulk of GCT audiences—and should prove entertaining to the under-65 set as well.
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SMUDGE

RECOMMENDED
How to review a show whose point you missed entirely? That’s the dilemma currently faced by this reviewer in writing about Rachel Axler’s Smudge, the latest offering by Burbank’s esteemed Syzygy Theatre Group.
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THE FIRST JO-EL


Here’s a bit of Biblical trivia for you. According to the Gospel According To The Troubies, there were not one but two pregnant women at the Bethlehem Inn on December 25th of the year 0. Joseph and Mary were there, of course, but unbeknownst until now, an unmarried couple named Manolo and Letty were about to give birth as well—or at least so we’re told in this year’s Troubadour Theatre Company holiday show, The First Jo-el.
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GREAT EXPECTATIONS


Over the past two decades, Glendale’s A Noise Within has tended to offer three kinds of plays, one each per Fall or Spring season. There’s something by Shakespeare, something by Ibsen, Moliere, Shaw, or an ancient Greek or Roman, and something more contemporary, say a play by Odets, Anouilh, Williams, Miller, or O’Neil. Now, with Neil Bartlett’s 2007 adaptation of Charles Dickens’ 1861 novel Great Expectations, California’s Home For The Classics gets the chance to merge the classical and the modern for an evening of classical contemporary (or contemporary classical) theater at its finest.
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HELLO AGAIN


Michael John LaChiusa’s Hello Again has inspired Musical Theatre Guild’s very best production since 2009’s two-in-a-row stagings of Kiss Of The Spider Woman and Violet. Under Michele Spears’ inspired direction and starring ten of the country’s finest musical theater talents, this seductive chamber musical, based on Arthur Schnitzler’s 1897 classic La Ronde, proved again that when MTG members and guest artists have the right material, their “concert staged readings” can the equal the very best fully staged productions in town.
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BLITHE SPIRIT


WWII London had just undergone the eight months of sustained bombing by Hitler’s Luftwaffe (and seen tens of thousands of its citizens killed, and even more injured) when Noël Coward’s Blithe Spirit opened in June of 1941, offering shell-shocked Londoners a welcome escape from the horrors of the night skies and keeping them laughing throughout the war—for a grand total of 1997 performances.
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A MURDER IS ANNOUNCED


Miss Jane Marple, the elderly spinster/amateur sleuth created by Agatha Christie in 1930, starred in a dozen novels up through the early 1970s (never aging a day), but only twice did she appear live on stage, thereby making it a special treat for whodunit fans that Glendale Centre Theatre has revived Leslie Darbon’s stage adaptation of A Murder Is Announced with all-around terrific results.
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