FLEETWOOD MACBETH
Friday, July 8th, 2011
They’ve done As You Like It as “As U2 Like It,” A Winter’s Tale as “A Wither’s Tale,” Much Ado About Nothing as “Much Adoobie Brothers About Nothing,” A Midsummer Night’s Dream as “A Midsummer Saturday Night’s Fever Dream,” and Hamlet as “Hamlet The Artist Formerly Known As Prince Of Denmark.” Now, the Troubadour Theater Company (affectionately nicknamed The Troubies) are back with a revival of their 2004 musical spoof of Macbeth, which they’ve titled “Fleetwood Macbeth.”
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A MIDSUMMER NIGHT’S DREAM
Friday, July 1st, 2011
It takes a good deal of chutzpah to chop an hour off the running time of William Shakespeare’s A Midsummer Night’s Dream, and a great deal of talent to pull it off, a feat which Vanguard Rep has performed to perfection—and to gales of laughter—in an open-air production certain to delight audiences of all ages, and that includes Shakespearephiles-and-phobes alike.
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1776
Wednesday, June 29th, 2011
If you’ve ever wondered what it would have felt like to be a fly on the wall of the Continental Congress of 1776 as our country’s Founding Fathers wrangled over the question of Independence from Great Britain and the writing of our Declaration Of Independence, then wonder no more. Instead, head on over to Glendale Centre Theatre, where a splendid cast of twenty-six under the skilled direction of Todd Nielsen revive the 1969 Broadway musical 1776 in an “all-a-round” terrific in-the-round staging.
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BAT BOY: THE MUSICAL
Monday, June 13th, 2011
If it weren’t for the Musical Theatre Guild, Southern California audiences might never have had the chance to see and hear bygone Broadway shows like this season’s 70, Girls, 70 (1971), Little Me (1962), and One Touch Of Venus (1943), or last season’s Stop The World, I Want To Get Off (1962), Fade Out Fade In (1964), High Spirits (1964), and Irma La Douce (1960)—and for that, musical theater fans owe MTG a sincere debt of gratitude.
YEAR ZERO
Saturday, June 4th, 2011
In fact, our very first glimpse of Vuthy in Michael Golamco’s Year Zero is of a shaggy-haired, hugely bespectacled teenager rapping about his life to said skull. “Everywhere I look, all I see is ghosts,” he syncopates to the prerecorded beats of a cassette tape. “All around me up in here, all I see is ghosts.”
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NO WORD IN GUYANESE FOR ME
Sunday, May 29th, 2011
Anna Khaja returns to the stage in Wendy Graf’s powerful solo piece No Word In Guyanese For Me, the recent Ovation-award winner bringing to vivid life a young Guyanese who discovers after her family’s move to New York City that she is a lesbian—and that there is no word in her native language for the person she is.
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FINDING THE BURNETT HEART
Sunday, May 29th, 2011
You’d think by now there’d be no need for yet another teenage coming out story, nor would you be likely to expect a playwright to have anything new to offer on the subject.
You’d be wrong.
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THE CHAIRS
Wednesday, May 11th, 2011
A pair of nonagenarians are the only characters visible throughout most of The Chairs, but who knows how many invisible ones there are on stage by the end of Eugène Ionesco’s “tragic farce,” the latest production from A Noise Within—and a terrific one as might be expected from California’s Home For The Classics.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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