GREAT EXPECTATIONS
Sunday, November 21st, 2010
Over the past two decades, Glendale’s A Noise Within has tended to offer three kinds of plays, one each per Fall or Spring season. There’s something by Shakespeare, something by Ibsen, Moliere, Shaw, or an ancient Greek or Roman, and something more contemporary, say a play by Odets, Anouilh, Williams, Miller, or O’Neil. Now, with Neil Bartlett’s 2007 adaptation of Charles Dickens’ 1861 novel Great Expectations, California’s Home For The Classics gets the chance to merge the classical and the modern for an evening of classical contemporary (or contemporary classical) theater at its finest.
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HELLO AGAIN
Monday, November 8th, 2010
Michael John LaChiusa’s Hello Again has inspired Musical Theatre Guild’s very best production since 2009’s two-in-a-row stagings of Kiss Of The Spider Woman and Violet. Under Michele Spears’ inspired direction and starring ten of the country’s finest musical theater talents, this seductive chamber musical, based on Arthur Schnitzler’s 1897 classic La Ronde, proved again that when MTG members and guest artists have the right material, their “concert staged readings” can the equal the very best fully staged productions in town.
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BLITHE SPIRIT
Sunday, November 7th, 2010
WWII London had just undergone the eight months of sustained bombing by Hitler’s Luftwaffe (and seen tens of thousands of its citizens killed, and even more injured) when Noël Coward’s Blithe Spirit opened in June of 1941, offering shell-shocked Londoners a welcome escape from the horrors of the night skies and keeping them laughing throughout the war—for a grand total of 1997 performances.
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A MURDER IS ANNOUNCED
Wednesday, October 27th, 2010
Miss Jane Marple, the elderly spinster/amateur sleuth created by Agatha Christie in 1930, starred in a dozen novels up through the early 1970s (never aging a day), but only twice did she appear live on stage, thereby making it a special treat for whodunit fans that Glendale Centre Theatre has revived Leslie Darbon’s stage adaptation of A Murder Is Announced with all-around terrific results.
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BELL, BOOK, AND CANDLE
Saturday, October 23rd, 2010
A decade and a half before Samantha “Bewitched” Darren Stephens, a gorgeous young sorceress named Gillian cast a spell over New York publisher Shep Henderson in John Van Druten’s 1950 Broadway comedy Bell, Book, And Candle, best known for its 1959 film adaptation starring James Stewart and Kim Novak. Though the original stage version made it into John Gassner’s Best American Plays series as one of 1945-1951’s seventeen best (alongside Death Of A Salesman, A Streetcar Named Desire, and Mister Roberts), Bell, Book, And Candle has pretty much disappeared from theatrical view, at least in major professional productions. That’s why its arrival at Burbank’s Colony Theater qualifies as rather an event, even more so because unlike many mid-century plays, Van Druten’s romcom holds up very well indeed, scarcely seeming sixty years of age.
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MEASURE FOR MEASURE
Wednesday, October 13th, 2010
A powerful government official offers to suspend a sex offender’s death sentence in exchange for a night of love-making with the convicted man’s virginal sister. Sound like a scene from a day or nighttime soap? It certainly could be, but is in fact the central conflict of William Shakespeare’s Measure For Measure, about as contemporary a play as the Bard ever wrote, even four-plus centuries after its first performance. No wonder A Noise Within’s “present time” setting in a “modern capital city” works so well in this first production of its 2010-2011 repertory season.
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70, GIRLS, 70
Monday, September 20th, 2010NOT RECOMMENDED
John Kander and Fred Ebb had already had considerable success with Flora The Red Menace, Cabaret, The Happy Time, and Zorba when 70, Girls, 70 made its Broadway debut in 1971. Still, not even the renown of their four previous musicals could save their latest show from a quick 35 performance demise. In fact, 70, Girls, 70 vanished so quickly into obscurity that probably only the most avid Broadway buffs are even aware of its existence—Broadway buffs and the Musical Theatre Guild, which has as one of its missions to rescue flops like 70, Girls, 70 from obscurity.
A WITHER’S TALE
Thursday, August 26th, 2010
William Shakespeare’s darkest comedy A Winter’s Tale and the soulful Seventies sound of Bill “Ain’t No Sunshine” Withers make for a perfect match in A Wither’s Tale, the latest offering by the multi-award-winning Troubadour Theater Company and one of the Troubies’ richest and best productions yet.
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