REVERB

RECOMMENDED
A 20something couple express their love by beating each other black and blue in Reverb, the latest—and darkest—of Leslye Headland’s Seven Deadly Plays, or at least of the three reviewed here.
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THE SERMONS OF JOHN BRADLEY


The story of a young gay man’s journey to self-acceptance has been told countless times before in plays, films, and novels.  What makes The Sermons Of John Bradley unique (and particularly powerful) is the manner in which playwright/actor Hunter Lee Hughes tells his story, as a series of “sermons” given by the son of a disgraced Southern Baptist preacher. Neither solo performance nor performance art (though it has aspects of both), The Sermons Of John Bradley is ultimately just very fine theater, and a memorable showcase for the talents of a gifted young writer-actor.
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LA RONDE


Even before the first of its ten “dialogues,” you know you’re not in for your great-great-great grandfather’s La Ronde in director Larry Biederman’s stunningly conceived, designed, and executed production of the 1900 Arthur Schnitzler classic. Despite its late-19th Century setting, there’s not a divan or gas lamp or bustle in sight. Instead, a black-and-white Annie Lennox (circa the Eurythmics) belting out “I need someone to listen to the ecstasy I’m faking” is projected on an irregularly-cut upstage canvas screen, behind which the outlines of cocktail party guests and the shadows of a man and woman move this way and that, seemingly unable to connect.
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BILL W. AND DR. BOB

RECOMMENDED
Bill W. And Dr. Bob, Samuel Shem and Janet Surrey’s biodrama about the founders of AA, has been around L.A. for quite a while now.  Its current incarnation at Theatre 68 is in fact its fifth Los Angeles run and follows its 2007 New York Times-reviewed off-Broadway premiere at New World Stages. Having finally gotten the chance to see this often very moving story of the men who, almost by accident, revolutionized the treatment of alcoholism and other addictions, I can understand its popularity and appeal.  Despite certain structural drawbacks and its air of “disease movie of the week,” Bill W. And Dr. Bob is both educational and entertaining, and in the second act especially, emotionally powerful.
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THE BUSY WORLD IS HUSHED


Besides being one of the best and most intelligent new plays in quite a while, Keith Bunin’s The Busy World Is Hushed couldn’t come at a more appropriate time.  Following a Yes On 8 victory which was fueled largely by so-called “devout Christians,” it is refreshing indeed to see a play which presents a gay-affirming branch of Christianity, and a lead character (and person of the cloth) who not only accepts that her son is gay but actively encourages his quest for Mr. Right.
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JACOB MARLEY’S CHRISTMAS CAROL


Southern Californians may not be able to depend on snow before Christmas, but one thing is certain about our theater scene.  There will be Charles Dickens’ A Christmas Carols galore every year from November through December.
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THE GIANT AND THE PIXIE

RECOMMENDED
If its title makes you think that The Giant And The Pixie will be a holiday show for kids, think again. This world premiere drama is most definitely for adults only, and though its fantasy aspect (each character has a fairy tale counterpart) didn’t work for me, and despite the characters not being people I’d want to hang around with, the excellent work of the five-actor cast makes The Giant And The Pixie worth seeing.
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THE JOY LUCK CLUB


Fans of Amy Tan’s novel The Joy Luck Club or Wayne Wang’s 1993 film version will find much to relish in East West Players’ production of its stage adaptation by Susan Kim.
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