HE ASKED FOR IT
Sunday, June 21st, 2009
Freshly arrived in LaLa Land from Wyoming, aspiring actor Ted is working out on the treadmill at 24 Hour Fitness. Could the hunk doing cardio next to him possibly be gay? Perhaps a question or two might clear up any confusion. Ted: Do you like Madonna? Hunk: No. After a few more failed attempts to get the conversational ball rolling, the new guy in town plunges into his life story. “I never got that kind of radar thing you’re supposed to get,” the gaydar-challenged young actor explains. “You should try the Internet,” suggests the gym bunny, and when Ted plunges in and suggests maybe getting together, the studly object of his attention responds succinctly, “Sorry, but I don’t go out with guys I meet at the gym.”
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FACING EAST
Thursday, June 18th, 2009
It has been said that there is no greater loss than that of a child a parent has given life to. Imagine, then, how much more devastating the pain must be when that parent feels responsible for his or her child’s death, and how much greater still if the child’s death has occurred at his or her own hands.
STRANGER
Wednesday, June 17th, 2009
The rock-based notes of an Ennio Morricone-like melody inform us that, once again, it’s once upon a time in the West. The year is 1847 and the tiny Nevada town of San Lorenzo has been enslaved by a ruthless villain known only as Lagarto. Showdown time has arrived, and the town sheriff orders his teenage daughter Lucinda to get inside. “You do it for Mama,” Lucy cries out. “You kill him for her!” The sheriff looks the evil Lagarto in the eye and informs him, “This is your last chance. Take your men and be on your way.” “You look like a simple man,” responds Lagarto, “so I’ll keep it simple. No.” And with that, he shoots the sheriff, then his deputy. Pulling out an enormous knife, he grabs Lucy and tells her, “I like you. I think I’m going to keep you.” Lagarto then proceeds to slit the sheriff’s throat with the knife until his blood is splattered everywhere.
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THE LITTLE FOXES
Tuesday, June 2nd, 2009
There were no air conditioners or airplanes, no television or traffic lights in 1900. Ballpoint pens and shopping carts had yet to be invented, nor had calculators or computers. Still, despite how different our 21st Century world may seem from the one inhabited by the Hubbards of Lillian Hellman’s The Little Foxes, at least one thing remains very much the same—greed. When Ben Hubbard utters the prophetic lines, “There are hundreds of Hubbards sitting in rooms like this throughout the country. All their names aren’t Hubbard, but they are all Hubbards and they will own this country some day,” he could easily be speaking of the CEOs whose greed is in large part responsible for today’s economic woes. Despite being seventy years old and taking place more than a century ago, The Little Foxes is as relevant as ever, as well as being crackling good theater, especially in a production as exciting, powerful, and contemporary as the one now playing at the Pasadena Playhouse.
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COLLECTED STORIES
Sunday, May 24th, 2009
The mentor-pupil relationship of an acclaimed author of short stories and her most promising student is charted over a period of six years in Donald Margulies’ compelling drama Collected Stories. Now returning with its original star to South Coast Repertory (where it had its world premiere in 1996), this much awaited revival proves a sterling example of big-stage professional theater at its best.
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THE MIRACLE WORKER
Friday, May 22nd, 2009
Helen Keller. Annie Sullivan.
Few Americans can hear these names without recalling William Gibson’s Tony-winning The Miracle Worker. It’s been fifty years since the now classic biodrama debuted on Broadway, so long ago that to today’s theatergoers, it seems scarcely possible that there was a time before this extraordinary true story became part of our consciousness. Few are those who have not seen either the Oscar-winning 1962 film or its two TV remakes (Patty Duke won the Oscar (and Tony) for playing Helen and the Emmy for playing Annie) or one of its countless school or community theater productions. Major professional revivals are less common, though, all the more reason to greet Joel Daavid’s powerful new production with excitement.
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TRAFFICKING IN BROKEN HEARTS
Saturday, May 16th, 2009
Papo is a Puerto Rican hustler who’s been selling his body on the mean streets of early 1990s New York City since the age of fifteen. Brian is a 26-year-old gay virgin who frequents phone sex lines and adult bookstores, alternately craving and fearing his first sexual experience. Bobby is a 16-year-old runaway whose older brothers have been raping him daily since he was twelve.
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BREAKING THE CODE
Friday, May 15th, 2009
Superbly directed by Robert Mammana and featuring a tour de force lead performance by M Butterfly’s Sam R. Ross, Breaking The Code is, simply put, must-see theater. Despite its 1930s to 1950s English setting, Hugh Whitemore’s biodrama remains vital and relevant to 21st Century America, both as a reminder of a time not so long ago when a confession of homosexual acts could send a man to prison, and as proof that “the more things change, the more they stay the same.”
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