CAT ON A HOT TIN ROOF


The Tennessee Williams estate is very particular about whom it grants right to Mr. Williams’ plays. Justly concerned about protecting the two-time Pulitzer Prize-winning playwright’s reputation, the estate won’t let just any theater company stage the Williams oeuvre, particularly the two plays which won him the Pulitzer—A Streetcar Named Desire and Cat On A Hot Tin Roof. Other than A Noise Within’s 2000 production and the Geffen’s in 2005, I can’t recall a local staging of Cat, nor can I recall its being produced by a 99-seat theater.  Thus, The Neighborhood Playhouse’s just-opened revival of the 1955 classic is a major Southland theatrical event.
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EQUUS


Let’s play a game of word association. I say “Equus” and you say the first thing that pops into your head.  Here goes. “Equus.” All right, what was your answer? Was it 
a) Horse?  b) Richard Burton?  c) Psychiatrist?  d)  Nudity? e) Broadway?
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THE VOYSEY INHERITANCE


FINANCIER BILKS CLIENTS OF INVESTMENTS
FORTUNES LOST IN FINANCIAL SCANDAL

Sound familiar?  Could these headlines be referring to convicted felon Bernie Madoff?

Actually, not.
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THE UNSEEN

NOT RECOMMENDED

My idea of a perfect theatergoing month would be one in which twenty shows out of twenty would merit a WOW! review. I realize that this would only bolster the erroneous impression that, as one person put it, “Steven Stanley has never met a show he didn’t like,” but I’ve never understood reviewers who consistently pan what they see and then keep going back for more.  I go to the theater because, quite frankly, nothing makes me happier.
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FARRAGUT NORTH


Farragut North is the Washington D.C. subway stop where political has-beens debark to do the only thing left for them in the world of politics—boring, thankless consultant jobs. It’s also the title of Beau Willimon’s exciting, riveting new play about the behind-the-scenes maneuverings (and back-stabbings) of a Presidential primary campaign, a 2008 off-Broadway production now transferred to the Geffen Playhouse for its West Coast Premiere.
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HE ASKED FOR IT


Freshly arrived in LaLa Land from Wyoming, aspiring actor Ted is working out on the treadmill at 24 Hour Fitness.  Could the hunk doing cardio next to him possibly be gay? Perhaps a question or two might clear up any confusion.  Ted: Do you like Madonna? Hunk: No.  After a few more failed attempts to get the conversational ball rolling, the new guy in town plunges into his life story.  “I never got that kind of radar thing you’re supposed to get,” the gaydar-challenged young actor explains.  “You should try the Internet,” suggests the gym bunny, and when Ted plunges in and suggests maybe getting together, the studly object of his attention responds succinctly, “Sorry, but I don’t go out with guys I meet at the gym.”
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FACING EAST


It has been said that there is no greater loss than that of a child a parent has given life to. Imagine, then, how much more devastating the pain must be when that parent feels responsible for his or her child’s death, and how much greater still if the child’s death has occurred at his or her own hands.

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STRANGER


The rock-based notes of an Ennio Morricone-like melody inform us that, once again, it’s once upon a time in the West.  The year is 1847 and the tiny Nevada town of San Lorenzo has been enslaved by a ruthless villain known only as Lagarto. Showdown time has arrived, and the town sheriff orders his teenage daughter Lucinda to get inside.  “You do it for Mama,” Lucy cries out. “You kill him for her!”  The sheriff looks the evil Lagarto in the eye and informs him, “This is your last chance.  Take your men and be on your way.”  “You look like a simple man,” responds Lagarto, “so I’ll keep it simple. No.” And with that, he shoots the sheriff, then his deputy.  Pulling out an enormous knife, he grabs Lucy and tells her, “I like you. I think I’m going to keep you.” Lagarto then proceeds to slit the sheriff’s throat with the knife until his blood is splattered everywhere.
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