STAGE DOOR
Saturday, January 30th, 2010
Edna Ferber and George S. Kaufman’s 1936 comedy Stage Door is the kind of play that inspires the proverbial, “They don’t write ’em like that anymore.” Three acts. Twenty-seven characters. Witty dialog. Snappy repartee. Not only do they not “write ’em” like that. In these tough economic times, no mid-to-large-size theater could afford toproduce’em like that either. (Just imagine the cost of salaries and costumes!)
(read more)
HOW I LEARNED TO DRIVE
Friday, January 22nd, 2010Paula Vogel tackles pedophilia in her 1998 Pulitzer Prize-winning How I Learned To Drive, and if the sexual abuse of an eleven-(to seventeen)-year-old sounds like unpleasant subject matter for an evening of theater, you’re absolutely right. Told by its heroine Li’l Bit as a series of flashbacks, How I Learn To Drive is a play that had me squirming almost from its first moment. Notwithstanding, The Production Company’s current revival is as superbly performed, directed, and designed as they get.
(read more)
ORPHEUS DESCENDING
Friday, January 15th, 2010
Frantic Redhead Productions’ presentation of Tennessee Williams’ Orpheus Descending is a prime example of Los Angeles theater at its finest. A big-name trio of leading players with serious theatrical credits and training, a gifted director with an inspired concept, and one of the finest design teams in town have combined forces to make one of Williams’ lesser known dramas not only a surefire hit but the first major artistic success of 2010 as well.
(read more)
ROSENCRANTZ AND GUILDENSTERN ARE DEAD
Sunday, January 10th, 2010RECOMMENDED
After staging ten Shakespeare productions over the past three years, The Porters Of Hellsgate are for the first time paying royalties. Not that they really had to leave the public domain, there still being a few dozen more Shakespeare plays left for the talented young troupe of Bard-o-philes to produce and perform. On the other hand, having chosen Hamlet as production number ten, their decision to run Shakespeare’s Greatest Play in rotating rep with Tom Stoppard’s Rosencrantz And Guildenstern Are Dead (with the same casts no less) was an inspired one.
(read more)
THE BROWNING VERSION
Saturday, January 9th, 2010
By 2010 standards, not much happens over the course of The Browning Version’s seventy-five minutes, an hour and a quarter which unrolls in real time one evening in the sitting room of an English schoolteacher’s flat.
(read more)
HAMLET
Thursday, January 7th, 2010
Just a little over three years ago, a trio of young PaliHi grads with a love of the Bard debuted a new theater company, The Porters Of Hellsgate, with a mission to make Shakespeare come alive for their generation. Their tenth production, Hamlet, once again proves them a force to be reckoned with in Los Angeles classical theater.
(read more)
HAMLET
Monday, December 14th, 2009
From its opening moments, it’s clear that this Hamlet will be quite unlike any you’ve seen before. Two young actors (Peter Weidman and Kirsten Kuiken) stand center stage in modern dress and begin reciting Hamlet’s instructions to the traveling players. You know the words. “Speak the speech I pray you as I pronounced it to you, trippingly on the tongue …” These oft-quoted acting tips will serve as advice to the cast of tonight’s performance of Hamlet, and the two actors are soon surrounded by the entire ensemble, joining voices till the final “Go make you ready.”
Lights down. Lights up. The Tragedy of the Prince of Denmark has begun.
(read more)
EXTINCTION
Sunday, November 29th, 2009
In Gabe McKinley’s deep-dark world premiere comedic drama Extinction, now playing at the Elephant Space in Hollywood, it is not an endangered species that faces the end of its days but rather the longtime friendship of Max and Finn, best buds since college. These two 30ish compadres have been spending their vacations together in Atlantic City since their undergrad days, drinking, drugging, and girl-hunting, but as Bob Dylan once put it, “The times they are a-changin.’” What happens when best friends’ paths in life diverge, one leaving the other in the lurch? Ask yourself this question: How would you react if your closest friend told you that he’d moved on? How far would you go to save this friendship, or failing that, to destroy it forever?
(read more)
Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
COPYRIGHT 2026 STEVEN STANLEY :: DESIGN BY