THE AUTUMN GARDEN
Friday, October 29th, 2010
It’s September of 1949 and summer is drawing to an end at the Tuckerman home-turned-guesthouse on the Gulf of Mexico, about a hundred miles from New Orleans. Proprietress Constance Tuckerman, her house filled with the usual mix of longtime summer guests, is about to welcome Nicholas Denry, the man who broke her heart twenty-three years earlier, into their midst, thereby setting the scene for the Chekhovian weekend Lillian Hellman brings to life in 1951’s The Autumn Garden.
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THE TRAIN DRIVER
Thursday, October 21st, 2010RECOMMENDED
The partnership of Athol Fugard and The Fountain Theatre has possibly led to more awards and award nominations than any ongoing collaboration between writer and theater in the Los Angeles area. Fountain productions of Fugard’s The Road To Mecca, Exits And Entrances, Victory, and Coming Home have won raves from local reviewers and numerous Ovations and LADCC awards, among others. The arrival of Fugard’s latest, The Train Driver, a work the playwright describes as “the most important play I’ve written” therefore seemed a good opportunity to see what all the kudos have been about.
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FDR
Tuesday, October 19th, 2010NOT RECOMMENDED
The Pasadena Playhouse has reopened only nine months after the sad announcement that it was closing its doors for good, news worth celebrating in the streets with fireworks to light up the sky. If only FDR, the production chosen to welcome back Playhouse subscribers and friends, were equally deserving of a celebration.
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TERRE HAUTE
Thursday, October 14th, 2010
Imagine you were allowed to conduct a series of brief interviews with the man responsible for killing 168 Americans and injuring over 500 more in the then deadliest act of terrorism ever perpetrated on U.S. soil. Assuming you even wanted to talk to him, what would you say? What would you want to know?
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FUTURA
Sunday, October 10th, 2010
What do you call a play that starts with a 35-minute university lecture on “From Pen To Pixel: A History Of Typography,” turns in an instant into an edge-of-your-seat thriller, and finally becomes something quite lyrical which leaves you breathless?
You call it brilliant.
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KURT VONNEGUT’S SLAUGHTERHOUSE FIVE
Thursday, October 7th, 2010RECOMMENDED
“You’ll either love it, or push it back in the science-fiction corner,” opined the New York Times in its 1969 review of Kurt Vonnegut’s anti-war sci-fi novel Slaughterhouse Five. The same can probably be said about its theatrical adaptation by Eric Simonson, now getting its first West Coast production fourteen years after its World Premiere at Chicago’s Steppenwolf Theatre Company. Theatergoers unfamiliar with Vonnegut’s dense, epic tale, or those whose tastes run towards realistic, linear storytelling rather than the avant-garde or experimental may choose to pass on Action Theatre’s intimate staging, despite its generally fine acting and imaginative direction by Tiger Reel. On the other hand, Vonnegut fans will want to check out how adapter Simonson manages to compact Slaughterhouse Five down to an intermission-free ninety minutes of live theater.
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THE ELEPHANT MAN
Monday, October 4th, 2010
When most people hear the title The Elephant Man, they likely recall David Lynch’s 1980 film, which received 8 Academy Award nominations, including one for John Hurt’s unforgettable leading performance.
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THE GOAT OR, WHO IS SYLVIA?
Saturday, September 25th, 2010
If you are a theatergoer who likes to be intellectually challenged, loves nothing more than laughing out loud unless it’s witnessing absolutely brilliant acting, doesn’t get his or her knickers in a twist by subject matter some would deem inappropriate for the dinner table—and if you know nothing at all about the plot twists in Edward Albee’s The Goat Or, Who Is Sylvia?, then read no further. Simply head on over to the Chance Theater for a production so all-around splendid that it will knock your goat’s wool socks off.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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