AfterMath
Sunday, February 27th, 2011
When mathematician Bob Goldstein committed suicide by jumping into the Hudson River, he left behind the following short note: “I can’t take it anymore. Take care of the kids. Sell the car.” And that was all he wrote.
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CAMINO REAL
Thursday, February 24th, 2011RECOMMENDED
Imagine you could get inside Tennessee Williams’ head. More specifically, imagine you could witness one of his nightmares—a nearly three-hour-long one after an ingestion of LSD. What you’d see would likely resemble the playwright’s Camino Real, or at least Camino Real as envisioned by director extraordinaire Jessica Kubzansky at Pasadena’s Theatre @ Boston Court.
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“MASTER HAROLD” … AND THE BOYS
Saturday, February 12th, 2011
Sometimes the event of a single day, of a single conversation even, can change a person’s life forever. This is certainly the case for seventeen-year-old Hally in Athol Fugard’s “Master Harold”…and the boys, now playing at Ventura’s esteemed Rubicon Theatre in a couldn’t-be-better production.
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TO KILL A MOCKINGBIRD
Wednesday, February 9th, 2011
As I sat last night watching the lives of Atticus, Scout, Jem, and the rest of the characters created by Harper Lee in To Kill A Mockingbird, I couldn’t help looking at the audience around me, mostly seniors, their ages hovering around 76, give or take a few years, and think of the changes that have taken place in our society since 1935, the year Lee’s novel-turned-play takes place, the year in which many of those audience members first saw the light of day.
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THE BREAK OF NOON
Thursday, February 3rd, 2011
An embittered pink-slipped employee enters his former workplace and, automatic weapon in hand, murders thirty-seven of his ex-coworkers yet spares number thirty-eight, leaving the massacre’s sole survivor to wonder why. Why was he alone shown mercy? To whom does he owe this inexplicable stroke of salvation?
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TUCUMCARI
Wednesday, February 2nd, 2011RECOMMENDED
A rundown motel on Route 66 in Tucumcari, New Mexico was the last thing Lillian expected as a honeymoon present, but that’s precisely what the young newlywed finds herself the co-proprietor of in Riley Steiner’s old-fashioned romantic drama Tucumcari, now playing at Beverly Hills’ Theatre 40.
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THE BUSY WORLD IS HUSHED
Saturday, January 22nd, 2011
As an antidote to the strident, demonizing voices of the “Christian” Right, Keith Bunin’s The Busy World Is Hushed comes as manna from playwriting heaven. Bunin’s 2006 off-Broadway hit not only spotlights a gay-affirming branch of Christianity, it also features a lead character who is both a refreshingly open-minded member of the clergy and a mother so accepting of her son’s sexual orientation that she actively encourages his quest for Mr. Right.
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TO KILL A MOCKINGBIRD
Friday, January 14th, 2011
If adapting a novel for the stage provides a writing challenge for any playwright, imagine how daunting the task becomes when the novel in question has been voted the “Best Novel Of The 20th Century.”* Christopher Sergel took on this challenge in his 1990 stage adaptation of Harper Lee’s beloved Pulitzer Prize winner To Kill A Mockingbird, and though the resulting script does not rise to the level of its source material, its latest revival reestablishes The Production Company’s standing as one of L.A.’s finest and provides two hours of edifying, thought-provoking, beautifully acted, and ultimately inspiring theater.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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