TORNADO

Three very different women comb the wreckage of a devastating natural disaster in Chris Cragin-Day’s Tornado, a largely engaging Actors Co-op World Premiere, but one that ties things up rather too abruptly to be entirely satisfying.
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AVA: THE SECRET CONVERSATIONS


Elizabeth McGovern proves herself as accomplished a playwright as she is a gifted actress in Ava: The Secret Conversations, the Academy Award nominee’s fascinating look at the life and loves of screen goddess extraordinaire Ava Gardner.
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PICNIC


An African-American cast, a decade-later timeframe, and a hit-packed ’60s R&B soundtrack revitalize William Inge’s 1953 classic Picnic in John Farmanesh-Bocca’s ground-breaking new intimate revival for Odyssey Theatre Ensemble.
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THE THIN PLACE


You don’t have to believe in psychic phenomena to find yourself spellbound by Lucas Hnath’s mysterious and spooky The Thin Place, the latest Echo Theater Company winner at the Atwater Village Theatre.
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THE DREAMER EXAMINES HIS PILLOW

Two very good lead performances are the best reasons to check out Girl Trip Productions’ take on John Patrick Shanley’s The Dreamer Examines His Pillow at the Broadwater Black Box despite a weak third link and the dubious addition of a pair of female “fauns” not in Shanley’s script.
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FINAL INTERVIEW


What starts out as a routine job interview quickly turns into a matter of life and death when a construction firm exec finds himself with a gun to his head in Gabriel Oliva’s Final Interview, an edge-of-your-seat suspense thriller that more than merits a return engagement following its all too brief five-performance run at the Pico.
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ANATOMY OF GRAY


An offbeat stranger’s sudden arrival via tornado smack dab in the middle of “the most boring place in the world” sets in motion a series of events destined to transform the lives of a plucky Midwest teen and her fellow Indiana townsfolk in Jim Leonard’s Anatomy of Gray, the simply marvelous latest from Open Fist Theatre Company.
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HOME FRONT


An interracial couple fall in love on VJ Day 1945 only to find their post-WWII hopes and dreams dashed by the discovery that, as the French so aptly put it, “Plus ça change, plus c’est la même chose,” in the Victory Theatre Center West Coast Premiere of Warren Leight’s eye-opening, emotion-packed Home Front.
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