FOOL FOR LOVE
Monday, May 27th, 2013RECOMMENDED
Powerful performances by Chad Doreck and Lauren Plaxco make the Gloria Gifford-directed revival of Sam Shepard’s overwrought one-act Fool For Love now playing at T.U. Studios worth checking out.
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OTHER DESERT CITIES
Tuesday, May 21st, 2013
The continental divide that has polarized America into mud-slinging camps of liberals vs. conservatives over the past few decades takes on a personal, familial note in Jon Robin Baitz’s Other Desert Cities, one of the best written, most thought-provoking, and ultimately most moving plays of the last decade, now getting a superb San Diego premiere at The Old Globe.
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THE CRUCIBLE
Saturday, May 18th, 2013
Arthur Miller’s dramatization of the Salem witch trials has rarely if ever seemed as timeless or proven as powerful as it does in The Antaeus Company’s stunning new revival of the 1953 classic The Crucible, brilliantly directed by Armin Shimerman and Geoffrey Wade.
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COPS AND FRIENDS OF COPS
Friday, May 10th, 2013
A man walks into a bar and all hell breaks loose in Ron Klier’s edge-of-your-seat World Premiere suspense thriller Cops And Friends Of Cops, the latest offering from VS. Theatre Company and one that suits their spiffy new Mid-City space to a T.
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PETER PAN: THE BOY WHO HATED MOTHERS
Monday, May 6th, 2013
He’s been the hero of a play, a novel based on that play, a prequel, a sequel, a silent film, several stage adaptations of the original play, an oft-revived and televised Broadway musical, a Disney animated feature (and its sequel), a live-action feature film, a Japanese anime, an animated TV series, a theme-park ride, and most recently a mammoth “360-degree” staging and a Broadway prequel, the winner of five 2012 Tony awards.
With all of the above behind him, you’d think that at the ripe old age of 109, Peter Pan, aka The Boy Who Wouldn’t Grow Up, would be ready to call it quits, but you’d be wrong, since just when most centenarians would be poised to take their final bows, along comes Michael Lluberes’ Peter Pan: The Boy Who Hated Mothers, proving that a) there’s still life in the young/old boy and b) that you don’t need a gazillion dollars (or however much the budget of Peter Pan threesixty° was) to make theatrical magic.
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GOD’S MAN IN TEXAS
Saturday, April 27th, 2013
“And I am telling you, I’m not going!”
No, it’s not Effie White belting out a showstopper in Dreamgirls, but the spoken words of Dr. Philip Gottschall, an 81-year-old Texas megapreacher unwilling to give up the pulpit of a church he’s built up to a congregation of 30,000 and counting, and it’s not Deena Jones who’s in Eve Harrington mode, but 40something San Antonio pastor Jeremiah Mears, whom fully half of the pastoral search committee would like to see replace their aging leader. As for the other half, the status quo is fine, just fine.
Playwright David Rambo pits preacher against preacher in God’s Man In Texas, the latest offering from the newly re-energized Sierra Madre Playhouse, and if being forced to listen to considerable sermonizing by the kind of Christian fundamentalists who have recently made it their mission to “protect the sanctity of marriage” proved tough going in Act One, once Rambo’s central concern became evident in the play’s thoroughly compelling second act, this reviewer came to realize that any Act One discomfort was personal, and no reflection on what ends up one humdinger of a play.
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THE LARAMIE PROJECT: 10 YEARS LATER
Thursday, April 25th, 2013
The hate crime that was the brutal 1998 murder of 21-year-old University Of Wyoming student Matthew Shepard brought playwright Moisés Kaufman and fellow members of New York’s Tectonic Theater Project to the town of Laramie in search of answers. Who could have committed such a barbaric act (and why?) … and how did the residents of Laramie react to Shepard’s murder, and to the attention it focused on their city of 28,000?
The result of Kaufman and his team’s* eighteen-month research was The Laramie Project, which Los Angeles audiences got their first look at when the Colony Theatre Company staged it to memorable effect in 2002.
Ten years after their initial visits, Kaufman and the Tectonics returned to Laramie to find out how much the city and its residents had changed in the ensuing decade, the result of which is The Laramie Project: 10 Years Later.
Orange County’s award-winning Chance Theater now presents both plays in rep, offering Southern California audiences the rare opportunity to see not only where we were at the time of Matthew’s murder, but also how far we’ve come since then, and assuming Oanh Nguyen’s staging of the original is as powerful as the sequel reviewed here (as I’m certain it must be), then Angelinos and Orange County residents alike are in for a humdinger of a double feature.
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THE MIRACLE WORKER
Sunday, April 21st, 2013RECOMMENDED
A pair of powerhouse performances would make Actors Co-op’s revival of William Gibson’s Tony-winning The Miracle Worker must-see theater if only attention been paid to sightlines, or had the Co-op staged it at the David Schall Theatre next door.
Note: See update at end of review.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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