ABOVE THE FOLD


Three white North Carolina college frat boys accused of gang-raping an African-American stripper provide the incendiary framework for Above The Fold, Bernard Weinraub’s bracingly acidic look at politics circa 2014, race relations in today’s South, and print journalism in an increasingly cyber age—the World Premiere latest from the Pasadena Playhouse.
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BELFRY


A lonely Irish sacristan looks back on the brief shining moments in his life when he loved another man’s wife in Billy Roche’s exquisite gem of a memory play, Belfry, at last getting its West Coast Premiere at a revitalized Malibu Playhouse under the assured, nuanced direction of Veronica Brady.
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THE MYSTERY PLAYS


Imaginative direction, terrific performances, and an ingenious production design add up to engrossing theater as The Visceral Company presents the pair of one-acts that playwright Roberto Aguirre-Sacasa has somewhat awkwardly fused together as The Mystery Plays.
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A CHRISTMAS CAROL


A virtual Who’s Who of veteran A Noise Within resident artists join forces with a sensational design team under the inspired direction of Geoff Elliott and Julia Rodriguez-Elliott to bring audiences ANW’s first production of Charles Dickens’ A Christmas Carol in a baker’s dozen years.
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A CHRISTMAS CAROL


It wouldn’t be December without Christmas carols or Charles Dickens’ A Christmas Carol, and Zombie Joe’s Underground Theatre Group’s latest gives Los Angeles theatergoers both in just under an hour and performed with such Zombie Joe flair that it’s hard to imagine even Christmas Carol haters not falling for this show. As for those with more traditional tastes, there’s more than enough authentic Dickens to have you leaving Zombie Joe’s Underground with a smile on your face and maybe even the traces of a few tears on your cheeks.
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VENUS IN FUR


David Ives’ Venus In Fur has come to town, or about as close to L.A. as she’s going to get for a while, which is more than enough reason to head down south to catch San Diego Repertory Theatre’s mesmerizing production of the 2012 Best Play Tony nominee.
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LOOK HOMEWARD, ANGEL


No intimate theater company in L.A. has produced more—or more consistently excellent—intimate revivals of contemporary Broadway classics over the past half-dozen years than August Viverito and TL Kolman’s The Production Company. Now, following in the illustrious footsteps of The ProdCo’s M Butterfly, Equus, Copenhagen, Amadeus, and The Beauty Queen Of Leenane, comes Viverito and Kolman’s latest (and one of their best), Ketti Frings’ 1957 Pulitzer Prize-winning adaptation of Thomas Wolfe’s Look Homeward, Angel.
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12 ANGRY MEN


A black-and-white cast adds provocative new shadings to 12 Angry Men as the Pasadena Playhouse revives the 20th Century jury room drama for a 21st Century audience, and though director Sheldon Epps’ re-envisioning of Reginald Rose’s now iconic play proves problematic, there’s no denying the power of the dynamic dozen actors onstage at the Playhouse or of Rose’s ingeniously constructeds, beautifully written classic.
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