WATER BY THE SPOONFUL

A recovering crack addict offers online counseling to fellow former drug users as a young Iraq vet and his music prof cousin attempt to cope with the impending death of their aunt, the woman who raised him.

These two initially distinct plot threads come together—and powerfully so—in Quiara Alegría Hudes’s Pulitzer Prize winning Water By The Spoonful, now getting a superbly acted West Coast Premiere at San Diego’s Old Globe Theatre.
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THE LION IN WINTER

Mariette Hartley and Ian Buchanan bring star quality, decades of stage and screen experience, and award-winning acting chops to the Colony Theatre’s splendid revival of William Goldman’s The Lion In Winter, a 12th-century drama so rich in family intrigue, it could easily have served as a model for any number of nighttime soaps.
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COME BACK, LITTLE SHEBA

A gripping slice of contemporary Midwest life when it made its 1950 Broadway debut, William Inge’s Come Back, Little Sheba has now become a compelling period piece … and a superb 21st Century revival at A Noise Within.
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REST

Native Idahoan Samuel D. Hunter once again turns the lives of ordinary folk into world-class drama in his latest play, Rest, being given an all-around superb World Premiere production at South Coast Repertory under Martin Benson’s inspired direction.
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DOCTOR ANONYMOUS

NOT RECOMMENDED

The gay liberation movement may have started in earnest with the 1969 Stonewall riots, but homosexuality was still deemed a “curable” mental illness by the American Psychiatric Association in 1972 when a masked Dr. John E. Fryer addressed the annual APA conference as “Dr. H. Anonymous,” beginning his speech with the simple words “I am a homosexual. I am a psychiatrist.”

A year later homosexuality was removed from the Diagnostic and Statistical Manual of Mental Disorders.

Inspired by Fryer’s speech, psychiatrist/playwright Guy Fredrick Glass has written Doctor Anonymous, now getting its World Premiere at the Zephyr Theatre, and though several of its actors rise above the material, neither their performances nor a topnotch production design can mask Doctor Anonymous’s many serious flaws.
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A STEADY RAIN


Two superb actors stand in for the proverbial “cast of thousands” to make for as thrillingly visual a ninety minutes of edge-of-your-seat theater as you’d get in any big-screen blockbuster, as the Odyssey Theatre Ensemble presents the Los Angeles Premiere of Keith Huff’s A Steady Rain under Jeff Perry’s electric direction.
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THE WHIPPING MAN

On April 9, 1865, General Robert E. Lee surrendered to General Ulysses S. Grant at the Appomattox Court House, at long last ending what is still the deadliest war in United States history. Five days later, President Abraham Lincoln was dead, the victim of an assassin’s bullet. And during this fateful week in our country’s history, Jews in both North and South observed Pesach, the festival of Passover, celebrating the freeing of the Israelites from centuries of slavery in Egypt.

Inspired by this bit of historical coincidence, and armed with the knowledge that there were indeed Jewish slaveholders (and Jewish slaves) in the pre-Civil War Deep South, playwright Matthew Lopez sat down to write The Whipping Man, a gripping, eye-opening look at three Jews—two black, one white—in the days just following Appomattox, now getting its Los Angeles Premiere at the Pico Playhouse.
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FLYIN’ WEST


12 Years A Slave’s recent Oscar wins make Flyin’ West, Pearl Cleage’s post-Civil-War slice-of-African-American-life-on-the-Kansas-plains, a particularly serendipitous choice as International City Theatre’s latest crowd-pleaser. That director Saundra McClain and her cast of six have come up with a particularly fine production of Cleage’s 1992 hit is icing on the cake, or in the case of Flyin’ West, ice cream on the apple pie.
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