FREE OUTGOING
Thursday, February 16th, 2017Powerful performances highlighted by Anna Khaja’s riveting star turn command attention in the Los Angeles Premiere of Anupama Chandrasekhar’s Free Outgoing. Still, the unremitting bleakness of its shocking-but-true story of conservative Indian values in today’s anything-goes Internet age could make it a hard sell for East West Players.
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ZOOT SUIT
Tuesday, February 14th, 2017
Downtown Los Angeles explodes with music, dance, and dramatic fireworks as the Mark Taper Forum celebrates its 50th-Anniversary Season with a spectacular, timelier-than-ever revival of Luis Valdez’s legendary Zoot Suit.
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MOBY DICK
Thursday, February 2nd, 2017
Ten brilliantly talented performers, an inspired director/adapter, and a dazzlingly ingenious production design team join talents on South Coast Repertory’s Segerstrom Stage as Chicago’s Lookingglass Theatre Company’s acclaimed Moby Dick visits Costa Mesa, proof positive that you don’t need a hundred-million Hollywood bucks to turn a Herman Melville classic into two-and-a half hours of epic storytelling magic.
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WHITE GUY ON THE BUS
Sunday, January 29th, 2017
With racism once again being given permission to rear its hideous head in today’s post-Obama America, the time could not be riper for Bruce Graham’s riveting, conversation-provoking White Guy On The Bus to make its Los Angeles debut at The Road On Magnolia.
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LATE COMPANY
Saturday, January 21st, 2017
Anti-gay bullying and its potentially fatal consequences are hardly topics you’d expect to see tackled by a theater company perhaps best known for seniors-friendly mystery/comedy fare, but these are precisely the issues that propel Canadian playwright Jordan Tannahill’s shattering family drama Late Company, now being given a compelling American Premiere at Beverly Hill’s Theatre 40.
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BEE-LUTHER-HATCHEE
Saturday, January 14th, 2017
With racial violence on the rise, racists increasingly fearless in spouting (and acting upon) their hate, and an incoming President owing his election, at least in part, to racist backlash against his predecessor, the timing could hardly be more apt for Sierra Madre Playhouse to give Thomas Gibbons’ provative Bee-luther-hatchee the powerful revival it deserves, now more than ever.
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UNBOUND
Sunday, November 20th, 2016Sympathy-defying characters in credibility-challenging situations make D.G. Watson’s Unbound a less than riveting follow-up to IAMA Theatre Company hits like A Dog’s House, The Recommendation, and The Accidental Blonde.
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A TIME TO KILL
Saturday, November 5th, 2016
Theatre 68 inaugurates its new, spiffily remodeled Lankershim digs with Rupert Holmes’ skillful 2013 Broadway stage adaptation of John Grisham’s A Time To Kill, an edge-of-your-seat West Coast Premiere likely to prove right up any courtroom-drama lover’s alley.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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