THE NINTH DOOR


A playwright/actor’s two Marine Corps deployments in Afghanistan inform Matthew Domenico and Katherine Connor Duff’s The Ninth Door, now holding audiences riveted at West Hollywood’s The Other Space.
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ASCENSION

D.G. Watson’s trippy Ascension may run a good fifteen minutes too long and leave an audience wondering what on earth this “immersive, interactive, sci-fi mystery thriller” was all about, but the Echo Theater Company World Premiere is nothing if not different, and a terrific showcase for its designers.
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CLOSELY RELATED KEYS

A hotshot young corporate lawyer discovers she has an Iraqi half-sister from her father’s long ago extramarital relationship in Wendy Graf’s Closely Related Keys, an International City Theatre production every bit as topical as it was in its 2014 World Premiere, though ultimately not as effective as it was the first time round.
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THE LAST, BEST SMALL TOWN


Two families living side by side in smalltown America, their teenage offspring head-over-heels in love, and an all-seeing, all-knowing stage manager serving as our narrator. Sound familiar?

Only the town in question isn’t Grover’s Corners, New Hampshire. It’s Fillmore, California, the families are the Millers and the Gonzalezes, and the year is 2005 in John Guerra’s World Premiere wonder The Last, Best Small Town, now captivating audiences at Will Geer’s Theatricum Botanicum.
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IN MY MIND’S EYE

A visually impaired middle-schooler comes of age in The Group Rep’s 35th-anniversary revival of Doug Haverty’s engaging dramedy In My Mind’s Eye.
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WEST ADAMS

If your idea of a good time is spending eighty minutes with a bunch of downright disagreeable individuals doing some downright despicable deeds, you might want to check out West Adams, Skylight Theatre’s self-described “dark comedy about race, class, and bouncy houses.” Others might want to stick to their own neighborhood.
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NOWHERE ON THE BORDER

Playwright Carlos Lacámara puts a personal face on the hot-button issue of illegal immigration in Nowhere On The Border, a Road Theatre Company drama that works best when focusing on its odd couple of 50something adversaries.
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EARTHQUAKES IN LONDON

Epic in its scope and timeframe, intimate in its intersecting family dramas, bleak in its depiction of a world doomed by climate change, and as thrillingly theatrical as stage storytelling gets, Rogue Machine’s West Coast Premiere of Mike Bartlett’s Earthquakes In London is sure to be one of the season’s most talked-about productions.
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