KING LIZ


Broadway star Sabrina Sloan sizzles as a powerhouse A-list sports agent named Liz Rico, and newcomer Evan Morris Reiser electrifies as a high school grad with NBA superstar potential, in Fernanda Coppel’s off-Broadway dramedy King Liz, now getting a largely absorbing Los Angeles Premiere at the Geffen Playhouse.
(read more)

THE DESPERATE HOURS

Joseph Hayes’ The Desperate Hours may have won a Tony as the Best Play of 1955, but the 67-year-old suspense melodrama is showing its age these days with its stilted dialog and Father Knows Best-meets-Dragnet characters, and some questionable casting choices don’t help its 2022 revival at the Group Rep.
(read more)

BELOVED


The Road Theatre Company’s three-shows-in-a-row return season goes from good to better to best of all with the World Premiere of Arthur Holden’s Beloved, a suspense-filled, twist-packed stunner that will leave you blown-away and breathless.
(read more)

AFTERGLOW


Can an open marriage survive if one husband embarks on a sexual relationship with one of the couple’s occasional bed guests? This is the provocative question posed by playwright S. Asher Gelman in Afterglow, a surefire seat-filler thanks to its extended softcore sex scenes early on but a West Coast Premiere whose real dramatic fire begins once the clothes have come back on.
(read more)

THE EFFECT


Paul Rush delivers one of the most electrifying performances I’ve seen this past year opposite a captivating, compelling Jackie Jandrell in Sixty-Six Productions’ Los Angeles Premiere of Lucy Prebble’s The Effect.
(read more)

A DOLL’S HOUSE, PART 2

Impeccably acted by a admirably diverse cast, Lucas Hnath’s A Doll’s House, Part 2 would be another all-around International City Theatre winner if its midsection didn’t get bogged down in a talky rehashing of past events.
(read more)

ANNA IN THE TROPICS


Illicit passions set a Florida cigar factory aflame in Nilo Cruz’s Pulitzer Prize-winning Anna Of The Tropics, the dramatic latest from A Noise Within.
(read more)

ON THE OTHER HAND WE’RE HAPPY


On The Other Hand We’re Happy, Daf James’ insightful look at a British couple’s efforts to adopt, not only marks an exciting return for Rogue Machine, it’s a perfect example of a story best told, not as a movie or miniseries, but on a nearly bare stage with just three remarkable actors bringing at least twice as many characters to vivid life.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »