THE GAS HOUSE


What begins as a solo performance by a recently fired talk radio “shock jock”  
who was “paid to be a jerk” soon turns into an affecting two person play about 
a doomed romantic relationship in Sacred Fools’ West Coast Premiere of William 
Donnelly’s The Gas House.  
(read more)

THE COUNT OF MONTE CRISTO

NOT RECOMMENDED

The Sight Unseen Theatre Group is one of my favorite local companies.  Their
Quarterlife made my “Best of” lists for World Premiere Play, Intimate Theater Play,
and Ensemble.  A Year Without Spring, directed by Andy Mitton, was another
fine world premiere drama, with outstanding performances (particularly by Eric
Bloom and Michael Laurino).  Then, in a complete turnabout, Sight Unseen put
on a musical, Stephen Sondheim’s Assassins, with AYWS director Mitton wearing
a much different hat, as musical director, Quarterlife star Clark Freeman in the
band, and sets and lighting co-designed by Sam Roberts.  Once again, a Sight
Unseen production made my “Best of” list, this time for Intimate Theater
Musical,   Now, Roberts, Freeman, and Mitton have combined forces again for
yet another challenge, that of fashioning a 99-seat theater production of
Alexandre Dumas’ classic adventure novel The Count of Monte Cristo, adapted
for the stage and directed by Roberts.
(read more)

DURANGO


Durango begins on a bare stage, with just a chair and guitar far right.  A
young man wearing shorts and a t-shirt enters, sits, picks up the guitar and,
beginning to strum, sings a sadly nostalgic song.  “Main Street isn’t busy much
anymore. A neon girl dressed up with nowhere to go.”  He seems to be
recalling the past, a past which we begin in the next scene to discover.
(read more)

AND NEITHER HAVE I WINGS TO FLY


Ann Noble’s heartwarming And Neither Have I Wings to Fly feels like a theater classic that’s been around forever.  Hard to believe it’s a fairly recent play which is only now getting its Southern California premiere, in an absolutely gorgeous production at the Road Theatre, directed by award winning Scott Cummins.
(read more)

DANNY AND THE DEEP BLUE SEA


In a city where most plays run 6 weeks or less, The Elephant Theater’s
production of Danny and the Deep Blue Sea, John Patrick Shanley’s
unexpected love story of two very lost and damaged souls, has become a real
L.A. theater phenomenon. Recipient of the very hard-to-get L.A. Times “Critics
Choice,” Danny and the Deep Blue Sea, now in its fifth sold-out month, has
been extended yet again, through October.  Last night I found out why.
(read more)

MATTER OF HONOR


Near the beginning of Michael J. Chepiga’s Matter of Honor, the audience at
the Pasadena Playhouse is plunged into darkness. We hear a loud noise, like a
powerful echoing drumbeat, then a series of cries. A beating is taking place. We
know from that moment that we are in for a theatrical experience very much
out of ordinary.
(read more)

CALLING APHRODITE


Beauty is at the heart of Velina Hasu Houston’s new play Calling Aphrodite, 
currently having its world premiere production at Long Beach’s International 
City Theatre.  Beauty as something divine, beauty as a thing to be envied, 
beauty as something destroyed by war, beauty as a sign of hope.
(read more)

MATT DALLAS IN 197 STEPS

197 Steps Poster

197 steps poster

The Tolucan Times reviews 197 Steps

197 Steps Review with Photo

Victoria Regina and Matt Dallas

Aysia Zan

Matt Dallas and Steven Stanley

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Zan Daniel

Matt Dallas, Victoria Regina, and Steven Stanley

Zan Caroline Daniel

Steven Stanley and Matt Dallas

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Steven Stanley and Victoria Regina

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Victoria Regina, Matt Dallas, and Marcus Nobreus

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Caroline Zan Ralph

Victoria Regina and Matt Dallas

Caroline Zan

 

Dillon Mosely and Matt Dallas

Bradley Zan

Dillon Mosely and Matt Dallas

Anthony Aguilar and Matt Dallas

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Anthony Aguilar, Matt Dallas, and Dillon Mosely

danny Zan Bradley

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