ANYTHING


The Elephant Theatre Company’s world premiere production of Anything, written by and starring Timothy McNeill and directed by David Fofi is a perfect example of how rich and rewarding our Los Angeles stage scene is. Exquisitely written and acted, sensitively directed, and gorgeously designed, Anything marks a noteworthy conclusion to 2007 and an auspicious start to ETC’s 12th season of live theater.
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THE CRUCIBLE


When Arthur Miller’s The Crucible was written in 1953, it was considered an allegory 
for the McCarthy “witch hunts,” in which Communism took the place of Satan in 
the original Salem Witch Trials of 1692. Today, as religious fundamentalists (of 
various creeds) use blind belief in dogma as a way to persecute those they 
disagree with, The Crucible stands even stronger than before as an indictment of 
religious fanaticism gone amok.  2007 seems an particularly fitting time for a revival 
of this Miller classic, and the production currently running at the Matrix more than 
does justice to Miller’s words.
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A CHRISTMAS CAROL


As many times as I’ve seen Charles Dickens’ A Christmas Carol on TV, I don’t think 
I’ve ever attended a major professional theatrical production, so I didn’t want to 
pass up the chance to see South Coast Rep’s 28th annual production of the 
Christmas classic.

What a treat it was!
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CINEPHILIA


New York cinephiles Johnny and Arden are 20something “friends with benefits,” or at least that’s how Johnny would refer to his “recreation” with Arden.  She, on the other hand, considers their four-and-a-half years’ worth of occasional sex + conversations about movies a “relationship.” Imagine her dismay upon learning that Johnny plans to move to Los Angeles, that he’s already started packing, and that worst of all, it’s because he met a girl three weeks ago and the move out west is to be with her.  Then there’s Johnny’s roommate of five years, Plato, who despite dating girls seems even more in love with Johnny than Arden is…and far more distraught about Johnny’s impending departure. Add to the mix the arrival of Johnny’s new girlfriend Natalie, and you’ve got Cinephilia, 80 absorbing minutes of clever conversation and twisted relationships.
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VARIATIONS ON A THEME: THE BEST

The Chance Theatre threw a block party in June and two hundred people
attended.  After seven hours of “boisterous fun” and interaction, 100 short
plays were submitted to the Chance, all based on the theme “The Best.” Of
the initial 100, 6 were eventually chosen to make up an evening of theater
entitled Variations on a Theme: The Best.
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DAWN’S LIGHT: THE JOURNEY OF GORDON HIRABAYASHI


It’s rare that all elements of a production (writing / acting / directing / design)
come together as perfectly as they do in East West Players’ world premiere
production of Jeanne Sakata’s Dawn’s Light: The Journey of Gordon Hirabayashi. 
That this production not only engrosses, entertains, and moves an audience but
also educates and informs them as well makes it a must-see.
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DOUBT


Doubt, by John Patrick Shanley, had the notable distinction of having its West
Coast Premiere at the Pasadena Playhouse take place simultaneously with its
Broadway debut in the spring of 2005.  I found the Playhouse production quite
thrilling, despite a shaky Linda Hunt in the role of Sister Aloysius, the same role
which won Cherry Jones the Tony. Last year at the Ahmanson, I got to see why
Jones had scored just about every award imaginable for her “force of nature”
performance. 
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LOVE LIKE BLUE


In Act 1, three relationships break up.  In Act 2, the same six individuals begin anew,
but with different partners. A clever “why hasn’t that been done before?” premise,
skillfully executed in Kristen Lasarian’s world premiere play Love Like Blue.
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