AMERICAN DEAD


Five years ago, Grace Tisdale, a young Midwestern deputy sheriff and Mark Shawver, a teenage bagger, were gunned down in a grocery store robbery, precisely the kind of crime big city dwellers read about on a daily basis. To the residents of this small American town, however, it was not merely the deputy and the teenager who were victimized.  Grace Tisdale left behind a husband and a brother, both of whose lives were forever changed.
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FACING EAST

RECOMMENDED
Who is to blame when a gay man kills himself?  Is it the “sin of homosexuality” that is at fault, or is it the judgment of those around him who chose to shun and shame, rather than to embrace? Sadly, even in the year 2008, there are far too many who believe the former. Religious faith, instead of being based on love and acceptance, is too often used to judge and condemn, something which author/playwright Carol Lynn Pearson knows all too well.

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METAMORPHOSES

RECOMMENDED
Athena Theatre has undertaken its biggest challenge yet in staging an Equity waiver production of Mary Zimmerman’s Metamorphoses.
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MY ANTONIA


Willa Cather’s epic 1918 novel has been transformed into an absolutely exquisite memory play by writer/director Scott Schwartz. For those like myself who missed the production’s debut at the Ventura’s Rubicon this past May, Antonia is back, in the more intimate setting of Venice’s Pacific Resident Theatre, and certain to enchant audiences of all ages for weeks to come.
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SPRING’S AWAKENING

NOT RECOMMENDED

German playwright Frank Wedekind’s 1891 play Spring’s Awakening was so shocking for its era that when it finally opened in New York 26 years later, it took a Supreme Court injunction to allow the show to go on … and then only for a single performance before closing.  With scenes of masturbation, violence, and sex between 14-year-old characters, it is no wonder that pre-Roaring 20s audiences were shocked to the point of outrage.
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THE LAST SEDER


Jennifer Maisel’s warm and winning family dramedy The Last Seder opens with Michelle (Elisa Donovan), the youngest of four adult sisters, inviting Josh (Douglas Dickerman), a total stranger, to her family home. Michelle’s Alzheimer’s afflicted father Marvin (Joseph Ruskin) is about to be moved for long-term care into the serenely named Serenity Willows and the family home is soon to be sold, thus this year’s Seder will be the family’s last together and Michelle does not want to arrive empty-handed, so to speak.
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BETRAYAL


In the year 1999, Jerry confesses to Emma, his best friend’s wife, that he has loved her since he was best man at her wedding to Robert, and they begin an affair which goes on for years. In 2008, two years after ending the affair, Jerry and Emma meet again. With her marriage breaking up, she needs someone to talk to. In the course of conversation, Emma reveals (to Jerry’s dismay) that Robert knew about (and didn’t particularly mind) their affair. Indeed, says Emma, he knew about it as far back as 2004.
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THE SWEEPERS


ICT has yet another winner in the West Coast premiere of The Sweepers, the first of John C. Picardi’s proposed 10-play cycle focusing on the Italian American experience.  Set in the summer of 1945, The Sweepers begins as a Neil Simonesque comedy about squabbling female neighbors in Boston’s Italian neighborhood, then in its final quarter veers into Arthur Miller territory. That this startling transition from comedy to drama happens organically, and not as if from another play entirely, is thanks to the very real characters Picardi has created, and the superb performances of the cast ICT has assembled.
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