CALIFORNIA STORY

There may be times when, as the saying goes, two much is indeed not enough, but in the case of Roger Q. Mason’s audacious but overly ambitious, overlong California Story, too much is just that. Too much.
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THE HOMECOMING


An outsider’s arrival upsets the delicate balance that has until now preserved the status quo inside a vipers’ nest of a family home in Harold Pinter’s 20th-century classic The Homecoming, the provocative latest from City Garage.
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TASTY LITTLE RABBIT


Is it pornography or is it art? That is the question posed by prolific playwright Tom Jacobson in his provocative latest, Tasty Little Rabbit, now tantalizing audiences at Moving Arts.
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THE GLASS MENAGERIE


Dazzling star turns, inspired direction, and an exquisite production design add up to as magnificent an Antaeus Theatre Company revival of the 20th-century classic The Glass Menagerie as any Tennessee Williams lover could possibly wish for.
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THE VIOLIN MAKER

Its heart is definitely in the right place, and I can’t fault the performances elicited by director caryn desai, but I found Lisa Pearl Rosenbaum and Ronda Spinak’s downer of a Holocaust memorial play The Violin Maker too narration-and-flashbacks-heavy to fully command my attention throughout most of its two-hour running time.
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CORKTOWN ’39


Tensions reach a breaking point when an Irish-American family finds itself knee-deep in an assassination plot in John Fazakerley’s slow-boiling thriller Corktown ‘39, another sensational Rogue Machine Theatre Company World Premiere.
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THE TOTALITY OF ALL THINGS


All hell breaks loose in an Indiana town when a swastika is found spray-painted on a classroom bulletin board celebrating the recent legalization of same-sex marriage in Erik Gernand’s The Totality Of All Things, a discussion-provoking, expectations-defying Road Theatre Company West Coast Premiere.

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RABBIT HOLE


Kudos to director Cate Caplin and an all-around superb Los Angeles-based cast for delivering so powerful a reading of David Lindsay-Abaire’s Pulitzer Prize-winning Rabbit Hole, you’d have sworn you were watching a fully-staged production had it not been for the scripts which cast members had in hand in the latest entry in the Interact Theatre Company reading series held monthly at the Studio City branch of the Los Angeles Public Library.
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