NETWORK

Bert Emmett is on fire in the role that won Peter Finch a posthumous Oscar, but the snail-paced production the Group Rep has staged of Lee Hall’s West End-to-Broadway adaptation of Paddy Chayefsky’s Oscar-winning screenplay for 1976’s Network fails to ignite similar sparks.
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THE CHINESE LADY


A largely forgotten figure in Asian-American history is resurrected to indelible life by a stunning Michelle Krusiec in Chance Theater’s gorgeously staged regional premiere of Lloyd Suh’s critically-acclaimed off-Broadway hit The Chinese Lady.
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HIDE & HIDE


The American Dream ends up little more than an urban legend for the two star-crossed protagonists of Roger Q. Mason’s compelling, heart-rending two-hander Hide & Hide, a sensationally acted, directed, and designed Skylight Theater World Premiere.
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CALIFORNIA STORY

There may be times when, as the saying goes, two much is indeed not enough, but in the case of Roger Q. Mason’s audacious but overly ambitious, overlong California Story, too much is just that. Too much.
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THE HOMECOMING


An outsider’s arrival upsets the delicate balance that has until now preserved the status quo inside a vipers’ nest of a family home in Harold Pinter’s 20th-century classic The Homecoming, the provocative latest from City Garage.
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TASTY LITTLE RABBIT


Is it pornography or is it art? That is the question posed by prolific playwright Tom Jacobson in his provocative latest, Tasty Little Rabbit, now tantalizing audiences at Moving Arts.
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THE GLASS MENAGERIE


Dazzling star turns, inspired direction, and an exquisite production design add up to as magnificent an Antaeus Theatre Company revival of the 20th-century classic The Glass Menagerie as any Tennessee Williams lover could possibly wish for.
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THE VIOLIN MAKER

Its heart is definitely in the right place, and I can’t fault the performances elicited by director caryn desai, but I found Lisa Pearl Rosenbaum and Ronda Spinak’s downer of a Holocaust memorial play The Violin Maker too narration-and-flashbacks-heavy to fully command my attention throughout most of its two-hour running time.
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