CABARET

There’ve been Cabarets light, Cabarets dark, and Cabarets in between, but there’s probably never been a Cabaret as pitch black as the stunning German Expressionist nightmare director Larry Carpenter has unleashed on audiences at the La Mirada Theatre For the Performing Arts.
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END OF THE RAINBOW

Even the words “definitive” and “tour de force” seem inadequate to describe Angela Ingersoll’s astonishing transformation into Judy Garland in End Of The Rainbow, Peter Quilter’s powerful, probing examination of the last months Judy’s not-so-storybook life, superbly directed by Michael Matthews for La Mirada Theatre and McCoy Rigby Entertainment.
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WEST SIDE STORY

It takes brilliance and balls to pull off the reinvention of a musical theater classic, particularly one as renowned for its iconic choreography as for its book, music, and lyrics, but this is precisely what director Richard Israel and choreographer John Todd have accomplished in the brilliant, ballsy West Side Story they have mounted for The La Mirada Theatre and McCoy Rigby Entertainment.
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THE LAST FIVE YEARS

Star-crossed Jamie Wellerstein and Cathy Hiatt fall in and out of love once more in McCoy Rigby Entertainment’s exceptional revival of Jason Robert Brown’s exquisite The Last Five Years, now thrilling audiences at the La Mirada Theatre For The Performing Arts.
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LEND ME A TENOR

A sensational cast performing under Art Manke’s inspired direction make McCoy Rigby Entertainment’s pitch-perfect revival of Ken Ludwig’s 1986 smash Lend Me A Tenor a crowd-pleaser if there ever was one, and the best possible reason to brave L.A. traffic for an evening of farce at its most fabulous at the La Mirada Theatre For The Performing Arts.
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THE HUNCHBACK OF NOTRE DAME

Take a classic novel by Victor Hugo, half-a-dozen songs from a favorite Disney film, and the inspired casting of a deaf actor as Quasimodo and you’ve got three, though hardly the only reasons for The Hunchback Of Notre Dame to top any musical theater lover’s must-see list as summer turns to fall.
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DISNEY THE LITTLE MERMAID

It’s taken nearly ten years for Disney The Little Mermaid to make it from Broadway’s Lunt-Fontanne Theatre to “Under The Sea” at the La Mirada Theatre For The Performing Arts, but director Glenn Casale’s ingeniously reconceived, spectacularly staged take on the New York original makes it well worth the wait.
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AMERICAN IDIOT

Generation Y-ers have set up shop for the next couple weeks at the La Mirada Theatre For The Performing Arts in the very best of the five incarnations I’ve seen so far of Green Day’s addictive rock musical American Idiot.
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