IRMA LA DOUCE
Monday, April 19th, 2010NOT RECOMMENDED
For the past fourteen years, Los Angeles theatergoers have been thanking their lucky stars for Musical Theatre Guild and its prodigiously talented members. If it weren’t for MTG, Southland musical theater lovers would have missed out on seeing such forgotten Broadway gems as Fade Out – Fade In, High Spirits, Seesaw, As Thousands Cheer, It’s A Bird … It’s A Plane … It’s Superman, and Street Scene, and that’s just in the last four seasons. Even when the show being revived is perhaps best left forgotten, like September’s Stop The World – I Want To Get Off, MTG subscribers are guaranteed sensational performances by Broadway and regional theater vets at the top of their game.
(read more)
HIGH SPIRITS
Monday, February 22nd, 2010
For a musical based on the oft-revived Noël Coward comedy Blithe Spirit—and one that got eight Tony Award nominations to boot—you’d think that 1964’s High Spirits would have ended up a perennial CLO favorite. Somehow it didn’t, thereby making it ideal for one of Musical Theatre Guild’s concert staged readings of lesser known Broadway hits and misses. High Spirits’ one-performance-only production on Monday proved not only the rightness of the choice, but also that this is a show which deserves considerably more recognition than has been the case. With absolutely stellar work by its four leads and its superb direction by the multi-talented Richard Israel, MTG’s High Sprits had its audience in high, high spirits indeed.
(read more)
FADE OUT – FADE IN
Monday, November 9th, 2009
When was the last time you saw a production of the 1964 Jule Styne-Betty Comden & Adolph Green musical Fade Out – Fade In? Have you ever even heard of Fade – Out Fade In?
(read more)
STOP THE WORLD I WANT TO GET OFF
Monday, September 14th, 2009NOT RECOMMENDED
Musical Theatre Guild takes rarely performed Broadway gems, casts them with L.A.’s finest musical theater triple-threats, rehearses them in a mere twenty-five hours, and performs them once or twice—almost fully staged though book-in-hand. The resulting “concert staged readings” have ended up being some of the most exciting shows I’ve reviewed over the past two years, most notably last year’s Kiss Of A Spider Woman and Violet, the latter of which featured Shannon Warne’s (one-night-only) Musical Theater Performance Of The Year. Even “problematic” shows like Seesaw have been worth a look-see, thanks to MTG’s superb casts, directors, choreographers, and musicians.
(read more)
VIOLET
Monday, June 15th, 2009
For about a thousand Los Angeles musical theater aficionados, June 15, 2009 will be remembered as the evening Shannon Warne played Violet. As a young woman whose emotional scars run as deep as the facial scar she longs for a miracle to erase, Warne gave one of the most dazzling performances by a lead actress in a musical I have seen in the past several years. That this performance was achieved in a “concert staged reading” allowed a mere twenty-five hours rehearsal time by Actors’ Equity, and that the entire undertaking was every bit as memorable as its leading lady is nothing short of amazing. How lucky to have been at the Alex on June 15!
(read more)
KISS OF THE SPIDER WOMAN
Monday, April 20th, 2009
When the folks at Musical Theatre Guild were planning their 2008-2009 season of rarely performed Broadway musicals, it probably didn’t occur to anyone that their one-night-only revival of Kiss Of The Spider Woman would come only months after L.A.’s first fully staged production of Kiss since Chita Rivera and the National Tour played at the Ahmanson in 1996. Havok’s production (which featured many MTG performers, and which many felt surpassed the Tour in excellence) would indeed be a hard act to follow. There was no way a “concert staged reading” could match Havok’s design elements or the complexity of the many production numbers which recently won Lee Martino the LADCC Award for Best Choreography. MTG’s readings are, after all, presented with minimal sets and lighting, and few if any costume changes, and the entire show is allowed only 25 hours rehearsal time per Actor’s Equity rules. On the other hand, what MTG could and did offer Monday’s audience at Glendale’s Alex Theatre was a whole bunch of superb performances, and a chance to go back to the basics of Terrence McNally’s book, John Kander’s music, and Fred Ebb’s lyrics. The result, I’m happy to say, was an absolute triumph.
(read more)
FINIAN’S RAINBOW
Monday, February 23rd, 2009RECOMMENDED
Brigadoon and Finian’s Rainbow both opened on Broadway in 1947. Both had successful runs, Brigadoon playing 581 performances, Finian’s Rainbow beating it with 725. Both were jam packed with hit songs. From Brigadoon, you’ve probably heard the title song, Almost Like Being In Love, Come To Me, Bend to Me, and The Heather on the Hill. Finian’s Rainbow hits include How Are Things in Glocca Morra?, Look to the Rainbow, Old Devil Moon, and If This Isn’t Love. Both shows featured Irish lead characters, and each became a major movie musical, Brigadoon starring Gene Kelly and Finian’s Rainbow starring Fred Astaire. Broadway musicals don’t have better credits than these.
THE MOST HAPPY FELLA
Monday, November 10th, 2008
Musical Theatre Guild once again astounds with their “Concert Staged Reading” of Frank Loesser’s 1956 Broadway musical drama The Most Happy Fella, their most vocally challenging project since Elmer Rice-Kurt Weill-Langston Hughes’ Street Scene nearly two years ago.
(read more)
Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
COPYRIGHT 2025 STEVEN STANLEY :: DESIGN BY