LITTLE WOMEN


One of the largely unsung Broadway musical treasures of the early 2000s now provides ten of the most talented L.A.-based performers to shine as Musical Theatre Guild presents its concert staged reading of Little Women, with just one performance remaining.
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HIGH FIDELITY

Musical Theatre Guild’s awesome one-night-only “concert staged reading” of the 2006 Broadway flop High Fidelity has confirmed what Hunger Artists’ West Coast Premiere first suggested in July. I am madly in love with HiFi, and if the cheers which greeted last night’s reading are any indication, I am not the only one who feels this way.

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BAT BOY: THE MUSICAL

If it weren’t for the Musical Theatre Guild, Southern California audiences might never have had the chance to see and hear bygone Broadway shows like this season’s 70, Girls, 70 (1971), Little Me (1962), and One Touch Of Venus (1943), or last season’s Stop The World, I Want To Get Off (1962), Fade Out Fade In (1964), High Spirits (1964), and Irma La Douce (1960)—and for that, musical theater fans owe MTG a sincere debt of gratitude.

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LITTLE ME


Take music by Cy Coleman, lyrics by Carolyn Leigh, and a book by Neil Simon and what do you get?

You get Little Me, a 1962 Broadway gem that starred Sid Caesar in a septet of roles, scored ten Tony nominations (winning one for Bob Fosse’s choreography), closed way too soon due mostly to a newspaper strike, then toured the country with most of its original cast, its L.A. run one of the earliest musicals seen by a certain Steven Stanley just a year into his teens.
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ONE TOUCH OF VENUS


Sparkling performances and Richard Israel’s deft direction make One Touch Of Venus, Musical Theatre Guild’s latest revival, a delightful 1940s bonbon.
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HELLO AGAIN


Michael John LaChiusa’s Hello Again has inspired Musical Theatre Guild’s very best production since 2009’s two-in-a-row stagings of Kiss Of The Spider Woman and Violet. Under Michele Spears’ inspired direction and starring ten of the country’s finest musical theater talents, this seductive chamber musical, based on Arthur Schnitzler’s 1897 classic La Ronde, proved again that when MTG members and guest artists have the right material, their “concert staged readings” can the equal the very best fully staged productions in town.
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70, GIRLS, 70

NOT RECOMMENDED

John Kander and Fred Ebb had already had considerable success with Flora The Red Menace, Cabaret, The Happy Time, and Zorba when 70, Girls, 70 made its Broadway debut in 1971. Still, not even the renown of their four previous musicals could save their latest show from a quick 35 performance demise. In fact, 70, Girls, 70 vanished so quickly into obscurity that probably only the most avid Broadway buffs are even aware of its existence—Broadway buffs and the Musical Theatre Guild, which has as one of its missions to rescue flops like 70, Girls, 70 from obscurity.

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DAS BARBECÜ


Musical Theatre Guild concluded its 2009-10 season with a one-night-only concert staged reading of Das Barbecü, a show you’ve probably never heard of before, but one that proved a delightful discovery.
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