BUSKER ALLEY

RECOMMENDED

A pair of stellar lead performances, a topnotch supporting cast, and direction by the musical’s original leading lady bring out the best in the never-made-it-to-Broadway Busker Alley, Musical Theatre West’s Reiner Reading Series 2013-14 season closer. Still, despite some terrific Sherman Brothers songs, it’s hard to become invested in the story of as sad sack a lead character as street entertainer Charlie Baxter, even as played with abundant pizzazz by triple-threat extraordinaire James Leo Ryan.
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THE GOODBYE GIRL

Sunday’s delightful “family-affair” concert staged reading of the 1993 Broadway flop The Goodbye Girl made it abundantly clear why, despite a stellar pedigree, the Neil Simon-Marvin Hamlisch-David Zippel musical was not destined for a long life on The Great White Way, yet proved a perfect choice for Musical Theatre West’s One-Night-Only Reiner Reading Series.
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CITY OF ANGELS

If ever there were a Broadway musical that would seem to lend itself less to being performed as a concert staged reading, it would probably be City Of Angels, and yet wonder of wonders, the Tony-winning Best Musical of 1989 has within less than ten months, served as the basis of not one but two concert staged readings, both of them absolutely inspired.
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RUTHLESS! THE MUSICAL

The Bad Seed met Gypsy met All About Eve met Mame met a tickled-to-death audience of musical theater lovers on Sunday as Musical Theatre Guild presented their latest, a one-night-only concert staged reading of the murderously funny cult off-Broadway spoof Ruthless! The Musical.
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CARNIVAL


Bob Merrill and Michael Stewart’s 1961 hit Carnival may have run a healthy 719 performances on Broadway, but unlike its fellow early-’60s Tony winners The Sound of Music, Gypsy, Bye Bye Birdie, How to Succeed .., Funny/Forum, and Oliver!, regional revivals of Carnival have been few and far between, hence its inclusion in Musical Theatre West’s Reiner Reading Series as a one-night-only concert staged reading, one that reminded those in attendance on Sunday that even forgotten Broadway gems have much to offer.
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DEATH TAKES A HOLIDAY


A gorgeous if derivative score and creaky book did not add up to off-Broadway smash status (or a Broadway transfer) for 2011’s Death Takes A Holiday, but with a cast chock-full of L.A. musical theater stars and director Calvin Remsberg providing expert guidance, Musical Theatre Guild’s first concert staged reading of 2014 garnered a deserved standing ovation this past Sunday at Santa Monica’s spiffy new Moss Theatre.
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CALL ME MADAM


Musical theater lovers can once again thank Ken and Dottie Reiner and Musical Theatre West’s Reiner Reading Series for bringing back to life a musical theater gem grown too obscure to inspire a fully staged production. (After all, given the choice of the two Tony-winning musicals of 1951, Guys And Dolls and Call Me Madam, which one would you choose to program as part of an upcoming season?)
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LITTLE ME


It takes directorial brilliance (and balls) to take a Broadway show with a cast of thirty-six playing more than three dozen roles and stage it with a mere nine performers and no set design other than one comfy armchair and pull it off, but pull it off director David Lamoureux and his cast of nine did on Sunday as Musical Theatre West opened its Reiner Reading Series’ fourth season with the 1962 Broadway gem Little Me.
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