BONNIE & CLYDE

Bonnie & Clyde may have featured as fine a score as any of its 2011-12 Broadway competitors (including Once and Newsies), but that didn’t stop critics from making sure that Frank Wildhorn’s latest musical bit the dust after a mere two months, previews included, just one reason SoCal audiences haven’t been granted the fully-staged professional production Bonnie & Clyde so richly deserves, just one reason Angelinos can rejoice that at the very least, Bonnie Parker and Clyde Barrow returned to life last Sunday for one night only thanks to Musical Theatre Guild.
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ROAD SHOW


You’re unlikely to see a fully-staged local production of Stephen Sondheim and John Weidman’s twice-flopped Road Show any time soon, all the more reason for those in attendance yesterday at Musical Theatre Guild’s one-performance-only concert staged reading to count themselves lucky, particularly since the nearly fully-staged “reading” turned out quite spectacularly indeed under Richard Israel’s ever imaginative direction.
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HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING

That go-getting whiz kid J. Pierpont Finch once again zipped his way up the corporate ladder this past Sunday as Musical Theatre West’s Reiner Reading Series dazzled yet again (and with a mere 25 hours of rehearsal) in their one-night-only concert staged revival of How To Succeed In Business Without Really Trying.
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BABES IN ARMS

Here’s a thought for schools considering yet another production of Grease, Bye Bye Birdie, or High School Musical. How about having a go at the quintessential “Hey, kids, let’s put on a show!” show, Rodgers & Hart’s Babes In Arms, and not the “sanitized, de-politicized rewrite” that debuted in 1959 but the 1937 original, political incorrectness be damned. As anyone attending Sunday’s one-night-only Concert Staged Reading at Musical Theatre West can tell you, there’s not a funnier, dancier, or more gorgeously tuneful show for up-and-coming musical theater majors to show off their triple-threat talents than Babes In Arms 1.0.

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STEEL PIER

Though I’d be hard pressed to pick just one of the fifty concert staged readings reviewed here as the Absolute Best Concert Staged Reading Ever, I can’t recall a more spectacularly staged “reading” of a Broadway musical than last night’s Reiner Reading Series staging of Kander & Ebb’s Steel Pier.
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TRIUMPH OF LOVE

Frothy Broadway musical comedy romps don’t get any frothier than the frothy Broadway musical comedy romp Triumph Of Love, a fact made amply clear last night by Musical Theatre Guild’s one-performance-only concert staged reading of the 1997 gem.
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SWEET SMELL OF SUCCESS

There’s nothing at all sweet about the sleazy, smarmy, downright despicable protagonist of Sweet Smell Of Success, the Broadway musical adaptation of the 1957 Burt Lancaster/Tony Curtis pic, which may well be the main reason the 2002 John Lithgow-starrer flopped, the last of its mere 109 performances (plus 18 previews) less than two weeks after Lithgow won a Best Actor Tony.
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BUSKER ALLEY

RECOMMENDED

A pair of stellar lead performances, a topnotch supporting cast, and direction by the musical’s original leading lady bring out the best in the never-made-it-to-Broadway Busker Alley, Musical Theatre West’s Reiner Reading Series 2013-14 season closer. Still, despite some terrific Sherman Brothers songs, it’s hard to become invested in the story of as sad sack a lead character as street entertainer Charlie Baxter, even as played with abundant pizzazz by triple-threat extraordinaire James Leo Ryan.
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