LEADING LADIES


Actors Co-op has found the perfect complement to the concurrently running drama of The Elephant Man—Ken Ludwig’s hilarious gender-bending Leading Ladies.  What better way to put an end to the post-summer blues than by spending a couple hours with the oddest couple of men in drag since Tony Curtis and Jack Lemmon put on lipstick and hose in Some Like It Hot? Unlike Tony and Jack, though, our two unlikely “heroines” are not on the run from the mob but rather in search of a few million dollars to be inherited if only they can convince a dying woman that they are her lone (and long lost) female relatives. Here’s how it goes:
(read more)

GIRL’S ROOM


Take West Side Story’s original Maria and A Chorus Line’s original Cassie and star them together in 2008 and you have, as Girl’s Room’s publicity proclaims, two veritable Broadway legends sharing the same stage for the first time, and more than enough reason to catch Joni Fritz’s ingratiating dramedy during its limited engagement at the El Portal.
(read more)

DEAD MAN’S CELL PHONE


A woman sits alone at a table in a nearly empty café.  Several yards away, at another table, a man’s cell phone rings. And rings. And rings. What else is the woman to do but go over to the man to see why he’s ignoring his phone. “Are you deaf?” she asks, then realizes the stupidity of her question.  Nothing to do but answer the phone herself and take a message. Then it hits her why the man isn’t responding.  She picks up a spoon from his table and holds it up to the man’s nose.  Nothing.  His cell phone still in her hand, she dials 911 and calmly informs the operator, “I think there’s a dead man sitting next to me.”
(read more)

RED SCARE ON SUNSET

RECOMMENDED
No one spoofs classic Hollywood movie genres better than Charles Busch.  Whether it be the Ross Hunter women’s pictures of the 1950s and 60s (Die! Mommie! Die!) or Frankie and Annette Beach Party flicks (Psycho Beach Party) or WWII spy epics (The Lady In Question), Busch knows his Hollywood backwards and forwards.  The more his audience knows about movie styles and movie stars, the funnier Busch’s plays are, but even those not so familiar with names like 1950s TV staples Kate Smith, Dagmar, and Norman Vincent Peale will find laughs aplenty in Red Scare On Sunset, which lampoons (and pays tribute to) late 40s/early 50s red-baiting propaganda films like Red Menace, I Married A Communist, and My Son John.
(read more)

43 PLAYS FOR 43 PRESIDENTS


Arriving just in time for the election season, 43 Plays For 43 Presidents is a lickety-split rollercoaster ride through the last 219 years of American history.  
(read more)

WEHO


Classic nighttime soaps, Dynasty and Melrose Place to name just two, get a hilarious gay spoofing in the Celebration Theater’s latest late night hit, WeHo, named after “the most dramatic city never to hit prime time. Some call it West Hollywood. We call it WeHo!”
(read more)

SPEECH & DEBATE


A Salem, Oregon high school teacher cruises school restrooms and gay.com to pick up 18-year-old students for sex.  Salem’s conservative mayor is rumored to up to similar shenanigans, all the while promoting an anti-gay agenda. Sounds like the basis for a stark, current-as-today’s-headlines drama, right?
(read more)

SOUVENIR


Several decades before Mrs. Elva Miller (known affectionately as “Mrs. Miller”) blithely and cluelessly massacred such 1960s hits as “Downtown” and “A Lover’s Concerto” in her vibrato-heavy, wobbly, off-key mezzo, there was an even more celebrated “pure coloratura” who achieved now legendary fame in the operatic concert world by performing arias in a voice that makes Mrs. Miller’s seem nearly magnificent by comparison.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »