JANE AUSTEN UNSCRIPTED


Improv is a tricky art form. It requires an actor’s imagination, concentration, quick thinking, and the ability to maintain a straight face no matter what is being said or done.  Imagine now a group of actors improvising an entire two-act play. Quite definitely a daunting task, yet this is precisely the challenge which the sensational talents behind Impro Theatre have undertaken in their smash hit Jane Austen UnScripted.
(read more)

BACKSEATS & BATHROOM STALLS


Quite simply put, Backseats & Bathroom Stalls is the funniest comedy I’ve seen so far in the 2008-2009 season. Rob Mersola’s pansexual sex farce not only had me laughing out loud (and quite loudly indeed) through its non-stop 80 minutes of hilarious surprises but kept me on the edge of my seat trying to guess what was coming next. It also has one of the best “I didn’t see that one coming” surprises since The Crying Game or The Sixth Sense.
(read more)

BOB’S HOLIDAY OFFICE PARTY


Hilarious, crazy, zany, drunken Midwest Hell Christmas insanity” is how my friend Marc describes his first exposure to Bob’s Holiday Office Party, and I wholeheartedly agree. No wonder Bob’s Holiday Office Party is celebrating thirteen consecutive years of shocking and delighting L.A. audiences with its particular blend of mirth, drunken shenanigans, and Christmas spirit.
(read more)

A CHRISTMAS CAROL


Jason Moyer’s fabulous gay adaptation of Charles Dickens’ A Christmas Carol is back for a return engagement with a new director (Michael A. Shepperd), a slightly tweaked book, a mostly new cast, and a whole new bigger-budgeted look and feel.
(read more)

PROBLEM CHILD


The comedy is dark indeed in George F. Walker’s Problem Child, and thanks to Walker’s twisted take on life and a quartet of pitch-perfect performances, this Bella Productions/Actor’s Workout Studio production is black comedy at its blackest and funniest.
(read more)

SHANGHAI MOON


Those who adhere to strict standards of political correctness should not, I repeat NOT see Shanghai Moon, Charles Busch’s spoof of the “Oriental” melodramas of Hollywood’s Golden Era.  All others will have a devilishly good time reliving the forbidden passions of such “classics” as Lady From Chungking, Daughter Of Shanghai, King Of Chinatown, Shanghai Express, and Daughter Of The Dragon, all of them starring the immortal Anna May Wong. After all, as the program cover states, “There is enchantment when East meets West under the Shanghai Moon.”
(read more)

O JERUSALEM


What if several months before the events of 9/11, an important U.S. government official had learned of a planned terrorist attack—by air, on an Eastern city, in September?  Could the attacks on the World Trade Center have been prevented had this official spoken to the right higher-ups?  This hypothetical (or is it?) situation is the basis of O Jerusalem, by A.R. Gurney, now getting a first-rate Los Angeles premiere by The Production Company.
(read more)

SIX DANCE LESSONS IN SIX WEEKS


Prim and proper uptight elderly Southern belle meets free-spirited foul-mouthed gay jokester for Six Dance Lessons In Six Weeks in Richard Alfieri’s touching Broadway comedy, now getting a spiffy revival at Burbank’s Falcon Theatre.

(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »