MOONLIGHT AND MAGNOLIAS
Tuesday, November 2nd, 2010
Diehard Gone With The Wind fans may well have seen the 1939 classic 1939 times, but few may be aware of the five days movie mogul David O. Selznick shut himself, director Victor Fleming, and script doctor Ben Hecht inside his office, the three men subsisting entirely on a diet of bananas and peanuts, as Hecht rewrote the entire script of Gone With The Wind, a book he’d never read. Or at least that’s how Hollywood scuttlebutt would have it.
Playwright Ron Hutchinson imagines what might have transpired behind those closed doors in his hit comedy Moonlight And Magnolias, now making its Hermosa Beach Playhouse debut in a delightfully fresh new production. Once again HBP Artistic Director Stephanie A. Coltrin proves herself one of the most reliable directors in town, eliciting splendid performances from Patrick Vest (Selznick), Cylan Brown (Fleming), Joel Bryant (Hecht), and Nicole Wessel (Selznick’s harried secretary Miss Poppenghul). Moonlight And Magnolias is a show which will entertain and elucidate anyone who’s ever seen GWTW, and that’s just about everyone on the planet, right?
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BELL, BOOK, AND CANDLE
Saturday, October 23rd, 2010
A decade and a half before Samantha “Bewitched” Darren Stephens, a gorgeous young sorceress named Gillian cast a spell over New York publisher Shep Henderson in John Van Druten’s 1950 Broadway comedy Bell, Book, And Candle, best known for its 1959 film adaptation starring James Stewart and Kim Novak. Though the original stage version made it into John Gassner’s Best American Plays series as one of 1945-1951’s seventeen best (alongside Death Of A Salesman, A Streetcar Named Desire, and Mister Roberts), Bell, Book, And Candle has pretty much disappeared from theatrical view, at least in major professional productions. That’s why its arrival at Burbank’s Colony Theater qualifies as rather an event, even more so because unlike many mid-century plays, Van Druten’s romcom holds up very well indeed, scarcely seeming sixty years of age.
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GOD’S FAVORITE
Saturday, October 23rd, 2010
A messenger from God arrives at the Long Island mansion of multimillionaire business tycoon Joe Benjamin and informs him, “If you cherish your children and wife, the house that shelters you, the clothes that warm you and the flesh that covers you, if pain, calamity and disaster do not in any manner whatsoever appeal to you, then renounce your God!” Joe refuses, and is soon afflicted by a series of calamities that would test the patience of Job. Does this sound like a Neil Simon comedy to you?
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DIVING NORMAL
Wednesday, October 20th, 2010
The lives of three 20something New Yorkers intersect in Diving Normal, Ashlin Halfnight’s smart, funny, engrossing comedy-drama now getting its West Coast Premiere at the SFS Theatre under Neil H. Weiss’s astute direction.
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THE BUTCHER OF BARABOO
Friday, October 8th, 2010
The Coen Brothers meet Beth Henley in Marisa Wegrzyn’s The Butcher Of Baraboo, a quirky bit of Fargo crossed with Crimes Of The Heart, now getting its Los Angeles premiere at North Hollywood’s The Road Theater Company.
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THE TALE OF THE ALLERGIST’S WIFE
Tuesday, October 5th, 2010RECOMMENDED
Things haven’t been going all that well recently for New York matron Marjorie Taub. The death of her beloved therapist has left her with a feeling she describes as “Perdu. Utter damnation. The loss of my soul.” Though the Disney Store has fortunately decided not to press charges for the six porcelain figures she just happened to drop following her shrink’s memorial service, Marjorie can’t seem to get off the living room sofa and attend her usual mix of lectures, gallery exhibits, and opera symposiums. “I’m a fraud,” she moans to her allergist husband Ira. “A cultural poseur. To quote Kaafka, ‘I am a cage in search of a bird’”
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IN THE NEXT ROOM (or the vibrator play)
Sunday, October 3rd, 2010
It’s the late 1800s and Sabrina Daldry is exhibiting symptoms that concern her considerably older husband. Light has been bothering Sabrina lately, and she cries at the drop of her heavily veiled hat. A consultation with a certain Dr. Givings reveals the cause of her ailments: hysteria. (A contemporary doctor would probably diagnose her condition as depression resulting from sexual frustration.) Fortunately, Dr. Givings has just the treatment to cure Sabrina of her ills, a device made possible by the recent arrival of electric current into New York’s wealthier homes. A two or three-minute application of this vibrating apparatus to Sabrina’s private parts, plus a bit of digital stimulation administered by the doctor’s faithful nurse Annie, provides an almost instantaneous improvement in Sabrina’s mental state (along with a number of moans and gasps of pleasure), and she eagerly agrees to return for daily treatments.
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THE FURTHER ADVENTURES OF HEDDA GABLER
Saturday, October 2nd, 2010NOT RECOMMENDED
A crackerjack theatrical design can make the difference between a very good production and a great one, and can sometimes even make a so-so script seem better than it actually is. I loved Jeff Whitty’s surrealistic comedy The Further Adventures Of Hedda Gabler when I caught its world premiere at South Coast Repertory in January of 2006. Having now seen it for the second time at Santa Monica’s Morgan-Wixson Theatre, I begin to wonder how much of my enjoyment of Hedda’s adventures in the afterlife came as a result of SCR’s superb set, lighting, and sound design. Take these away from the play, and what ends up on stage is something considerably less successful, despite a committed director and cast.
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