ALL IN THE TIMING


Trust me. David Ives’ All In The Timing is unlike any program of one-acts you’ve ever seen. Imagine a series of sketches on Saturday Night Live, but with their intelligence level upped to the nth power. Ives’ six comic concoctions are smart plays indeed, each one with its own particular (and peculiar) “high concept.” As performed by a stellar troupe of eight at Crown City Theatre, the sextet of playlets make for one quirky, entertaining evening of theater at its most unique.
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THE TAMING OF THE SHREW


Any director tackling Shakespeare is likely to want to put his or her personal stamp on the tragedy or comedy in question, be it the gazillionth Hamlet or the ump-ump-umpteenth Taming Of The Shrew. Stephanie A. Coltrin is no exception, and under her imaginative direction, Hermosa Beach Playhouse’s Taming Of The Shrew becomes a broadly-played comedic delight.
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RAFTA, RAFTA…


Playwright Ayub Khan-Din takes an insightful comedic look at two British South Asian families in his delightful, cross-cultural comedy Rafta, Rafta… The 2008 Olivier Award winner for Best New Comedy, Rafta, Rafta… now gets its West Coast Premiere in a vibrant, colorful production at San Diego’s Old Globe Theatre.
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THE COMEDY OF ERRORS


You haven’t seen Shakespeare’s The Comedy Of Errors till you’ve seen it “Burlesque On Brand” style, courtesy of director extraordinaire Michael Michetti at A Noise Within.
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LOVE SUCKS


When Rob Mersola’s Backseats & Bathroom Stalls debuted in 2008, the pansexual sex farce had me laughing out loud through its eighty-five minutes of outrageous surprises. With an eleventh hour “I didn’t see that one coming” twist I called “the best since The Crying Game or The Sixth Sense,” the entire package ended up winning four Scenies—for Best Production Comedy (Small Theater), Best Direction (Comedy), Best Ensemble (Comedy), and Best Performance By A Featured Actress (Comedy). Popular demand brought the production back for a second run at the tiny Lyric Hyperion Theatre, after which, as most shows do, it vanished into nostalgic memory, but not before catching the attention of a group of producers who saw its potential for even greater success.
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A HOUSE NOT MEANT TO STAND


The McCorkles of Tennessee Williams’ A House Not Meant To Stand would seem to have more in common with the trailer trash of Del Shores’ Sordid Lives than with the lost souls of The Glass Menagerie or other early Williams’ plays. Perhaps that’s why I enjoyed Tennessee’s last play, now getting its West Coast Premiere nearly thirty years after it first opened in Chicago, so much. That, and the fact that it’s the latest offering by the only Intimate Theater in Los Angeles to win the L.A. Ovation Award for Production Of The Year four times.
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THE ADVENTURES OF PINOCCHIO


The Adventures Of Pinocchio and Deaf West Theatre prove a match made in Family Theater Heaven in the company’s 20th Anniversary Season production of the classic children’s tale.
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SPEECH & DEBATE

NOT RECOMMENDED

Stephen Karam’s comedy Speech & Debate points a webcam lens at three teenage outsiders living up Salem, Oregon way, while at the same time making strong points about hypocritical politicians, “ex-gay” ministries, and the importance of coming out. Having seen two brilliant productions of it, this reviewer finds its current Orange County Premiere at Theatre Out a letdown.
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