MY BIG GAY ITALIAN WEDDING


The place is Bay Ridge, Brooklyn, the neighborhood where Tony Manero discoed the night away in Saturday Night Fever and where women still live by the credo, “The higher the hair, the closer to God.” The time is the present, meaning that the gay boys of South Brooklyn no longer have to pretend to be straight, and can even tie the legal knot when they meet Mr. Right. What better time could there be for a 20something Italian-American ragazzo like our hero Anthony Pinnunziato to pop the question to his Polish-American sweetie Andrew Polinski? Now all he has to do is convince his traditional Mamma and Papa to give the happy same-sex couple their blessing.

Playwright Anthony Wilkinson thus sets the comedic wheels in motion in his off-Broadway hit My Big Gay Italian Wedding, now getting a hilarious West Coast Premiere in an exuberantly acted albeit barebones production under the peppy direction of Paul Storiale.
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BORN YESTERDAY


Folks had best not try to pull the wool over Billie Dawn’s eyes or they’ll soon discover she wasn’t Born Yesterday—or at least that’s what some Washington D.C. politicos find out the hard way in Born Yesterday, Garson Kanin’s Broadway classic and a terrific season opener for Claremont’s Inland Valley Repertory Theatre.
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BIRDS OF A FEATHER


What do a couple of gay male penguins immortalized in a controversial children’s book, an opposite-gender pair of red-tailed hawks nesting on a top-story ledge of a pricey Upper Manhattan co-op, and the marital woes of a former ABC/CBS/Fox/CNN news anchor have in common?

The answer is that all of the above take center stage in Birds Of A Feather, Marc Acito’s sweet, funny, topical, and ultimately quite moving one-act comedy now making its West Coast debut in a something-to-squawk-about production at San Diego’s Diversionary Theatre.
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CHINGLISH


“East is East and West is West and never the twain shall meet” … because if so, complications will surely ensue as they do in David Henry Hwang’s hilarious (and eye-opening) Chinglish, freshly arrived at South Coast Repertory from Berkeley Rep with its entire creative team and virtually its entire cast intact.
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FALLEN ANGELS


The Pasadena Playhouse has come up with a surefire recipe for crowd-pleasing comedy. Start with a script by a master playwright, hire a cast of crackerjack comedic whizzes, surround them with a production that looks as smashing as Broadway’s best, and above all, entrust the entire project to director Art Manke, who has taken an early Noël Coward gem and turned it into a hilarious hit that would do Lucille Ball and Vivian Vance proud.
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PLAZA SUITE


Neil Simon was the reigning King Of Broadway when his Plaza Suite opened at the Plymouth Theatre on Valentine’s Day, 1968. Only two years before, Simon’s Sweet Charity, The Star-Spangled Girl, The Odd Couple, and Barefoot in the Park were all four playing simultaneously on the Great White Way, and Plaza Suite, the next Simon comedy to open in New York ran over a thousand performances and on into the next decade.

It’s this still rib-tickling, still relevant collection of three short plays, each of them unfolding in Suite 719 of New York’s posh and pricey Plaza Hotel, that the Morgan-Wixson Theatre now revives to near perfection in a production blessed by inspired direction and a pair of sensational lead performances.
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AROUND THE WORLD IN 80 DAYS


Imagine you wanted to dramatize one of science fiction writer Jules Verne’s greatest novels, one which imagined a journey around the world circa 1872 in a then unimaginable eighty days with stops in Suez, Bombay, Calcutta, Hong Kong, Yokohama, San Francisco, New York, and then back to London, an adventure that would include dozens of characters along the way, onboard train and ship and atop elephant, and involve a daring rescue, a visit to a Chinese opium den, an Apache attack, and one unexpected delay after another.
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CHAPTER TWO


Love’s more wonderful the second time around for widowed novelist George Schneider in Neil Simon’s Chapter Two, or at least it would be if memories of his beloved late wife Barbara didn’t get in the way of starting afresh with actress Jennie Malone.

Simon’s 1977 gem arrives at Laguna Playhouse as fresh and funny as ever, the absence of the Internet, cell phones, and social media making it a delightful period piece as do mentions of As The World Turns, Merv Griffin, and Fresca.
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