LEND ME A TENOR


Ken Ludwig’s Lend Me A Tenor closes International City Theatre’s 2022 season on a farcical high note, directed to razor-sharp perfection by Todd Nielsen and terrifically acted by an all-around stellar cast.
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ACCORDING TO THE CHORUS


Backstage comedies pretty much have me at hello. No wonder then that I’ve fallen head over Capezios for According To The Chorus, Arlene Hutton’s captivating journey back in time to Broadway circa 1984, the latest World Premiere delight from North Hollywood’s Road Theatre Company.
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DADDY ISSUES

The laughs come fast and furious in David Goldyn’s over-the-top but very funny ’80s-sitcom-style gay family farce Daddy Issues, now getting its West Coast Premiere on Hollywood’s Theatre Row.
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A CLEAN BRUSH

After having given a number of Norm Foster comedies their American or West Coast Premieres, Theatre 40 now gets first dibs on Foster’s latest. Unfortunately, A Fresh Brush proves one of the prolific comic master’s lesser efforts, but that doesn’t mean that its cast of Canadian oddballs don’t earn their fair share of chuckles.
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THE ELABORATE ENTRANCE OF CHAD DEITY


In all my years of theatergoing, I’ve never seen a play or production quite like Chance Theater’s Orange County Premiere of Kristoffer Diaz’s The Elaborate Entrance Of Chad Deity, at once a hilariously spot-on look at the wild, weird, and wacky world of professional wrestling and a subtly scathing critique of the American Melting-Pot Dream.
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EVERYBODY

If 90 minutes of occasionally amusing but more often longwinded philosophizing about the meaning of (among other things) Life, Love, Friendship, Beauty, Material Possessions, and Death sounds like your thing, then Antaeus Theatre Company’s Everybody, Branden Jacobs-Jenkins’ 21st-century adaptation of a 600-year-old morality play, might just be your cup of tea. It wasn’t mine.
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BEACH PEOPLE


A quartet of sunbathers philosophize on the sand in Charles A. Duncombe’s absurdist existential comedy Beach People, a City Garage World Premiere impressively acted by a skin-revealing cast of four.
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REMEMBERING THE FUTURE


Imagine if the person you were at age 18 could tell 58-year-old you exactly what they think of your life choices. Playwright Peter Lefcourt does precisely this in his entertaining new “existential comedy” Remembering The Future, now tantalizing audiences with “What ifs” at the Odyssey Theatre.
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