TARTUFFE
Tuesday, March 4th, 2014RECOMMENDED
A Noise Within opens its Spring 2014 season with the classical theater company’s own distinctive take on Molière’s classic French farce Tartuffe*, and though not the inspired revival audiences were treated to in Pericles, Cymbeline, and The Beaux Stratgem, this entertaining if at times overly dark production does at the very least make relevant points about the hypocrisy, greed, and corruption of (at least certain members of) the clergy.
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SEX AND EDUCATION
Monday, February 24th, 2014RECOMMENDED
The venerable Colony Theatre enters the 21st Century with a 4-letter-word-propelled bang as it reaches out to extend its subscriber base beyond the blue-hair set with an envelope-pushing production of Lissa Levin’s Sex And Education.
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THE FOREIGNER
Friday, February 21st, 2014
A shy, repressed Englishman with the personality of a wet noodle discovers his own inner greatness by pretending not to speak a word of his native tongue in Larry Shue’s The Foreigner, not only one of the 20th Century’s funniest plays, but one of the century’s truly great comedies, one whose revival by Crown City Theatre Company will leave you delirious with laughter and brimming with joy.
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ARSENIC AND OLD LACE
Thursday, February 20th, 2014
Playwright Joseph Kesselring may have written only one enduring hit in his lifetime, but endure Arsenic And Old Lace most certainly has, its latest revival by Inland Valley Repertory Theatre providing 2014 audiences with as many laughs as must have greeted the black comedy’s Broadway debut back in 1941.
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BUNNY BUNNY—GILDA RADNER: A SORT OF ROMANTIC COMEDY
Saturday, February 8th, 2014
He called her Gilbert. She called him Zweibel, accent on the “bel.” She became one of the most famous, funniest, and most beloved comediennes of the 1970s. He wrote for the TV show that made her a star and later co-created a hit TV sitcom. They loved each other for fourteen years, though each married others. They were the best of friends until her untimely death. She was Gilda Radner. He is Alan Zweibel. Bunny Bunny—Gilda Radner: A Sort Of Romantic Comedy, now playing at the Falcon Theatre, is the delightfully funny, affectionately written, and exquisitely directed and performed tale of two lives intertwined.
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GOD OF CARNAGE
Sunday, January 26th, 2014
Yasmina Reza’s Tony-winning Best Play of 2009 God Of Carnage arrives at La Mirada Theatre For The Performing Arts in a production so excitingly staged and performed that even those who may have caught its star-packed L.A. debut a few years back won’t want to miss this staging—the third and last of McCoy Rigby Entertainment’s trio of Best Play Tony winners.
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THE ODD COUPLE (FEMALE VERSION)
Monday, January 20th, 2014
Oscar becomes “Olive” and Felix “Florence” as the classic Neil Simon comedy The Odd Couple takes on a distinctively distaff tone at Santa Monica’s Morgan-Wixson Theatre in a production of The Odd Couple (Female Version) so all-around topnotch, you’ll be asking yourself, “Can this possibly be community theater?”
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BECKY’S NEW CAR
Sunday, January 12th, 2014
“When a woman says she wants new shoes, what she really wants is a new job. When she says she wants a new house, what she really wants is a new husband. And when she says she wants a new car, what she really wants is a new life.”
Imparting these words of wisdom is Rebecca (Becky) Foster, middle-aged wife and mother and the title character of Steven Dietz’s Becky’s New Car, Kentwood Players’ terrific 2014 opener at the Westchester Playhouse.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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