AMERICAN WEE-PIE

Cupcakes offer a down-on-his-luck textbook editor a new lease on life in Lisa Dillman’s magical, whimsical American Wee-Pie, now getting its Los Angeles Premiere in one of my favorite Theatre 40 productions ever.
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TREVOR

Laurie Metcalf and Jimmi Simpson are a mother and son unlike any you’ve ever seen on stage, on screen, or in real life for that matter, in the West Coast Premiere of Nick Jones’ Trevor, the stellar duo delivering extraordinary performances in a play you’ll be telling friends, acquaintances, and maybe even complete strangers to put at the top of their must-see list.
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PYGMALION

Witty comedy, incisive social commentary, unconventional love story, and the inspiration for what many consider the greatest Broadway musical ever—George Bernard Shaw’s Pygmalion is all this and (as revived for a 21st-century audience at the Pasadena Playhouse) much, much more.
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BACHELORETTE

Mean girls reign supreme in Bachelorette, Leslye Headland’s acidly funny glimpse into the ugliness that can hide behind pretty faces, back for a return L.A. engagement just a mile from where its 2008 World Premiere put playwright Headland and IAMA Theatre Company on the map.

This time round it’s the year-old Mine Is Yours Theatre Company who bring Becky, Gena, Katie, and Regan (and a couple of not-so-nice young men) to hilariously vicious life, and though these are not folks you’d normally want to spend even an hour with, Bachelorette’s ninety minutes add up to outrageously biting entertainment, albeit quite the opposite of “sugar and spice and everything nice.”
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BABY WITH THE BATHWATER

Wacky is the word for Baby With The Bathwater. Winningly wild and wonderful apply too to Christopher Durang’s 1983 comedy classic, as does gut-bustingly hilarious, a bathtub full of adjectives and adverbs that make the latest from Diversionary Theatre well worth a San Diego road trip this month.
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WASHER/DRYER

Sometimes all it takes to turn a cramped, overpriced, single-occupancy big-city condo into a must-own Manhattan co-op is something as seemingly trivial as a washer/dryer, which is why newlywed Sonya will do anything to maintain ownership of her co-op in Nandita Shenoy’s terrific World Premiere Comedy Washer/Dryer—even if it means pretending that her handsome hubby is merely a frequent sleep-over chum.
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THE NIGHT ALIVE

Superb performances, a brilliant production design, plenty of chuckles (with a few gasps thrown in for good measure), and characters as weirdly idiosyncratic as any I’ve seen onstage spark the Geffen Playhouse’s West Coast Premiere of Conor McPherson’s The Night Alive. As to whether the play itself is worthy of the unqualified superlatives that out-of-town critics have showered upon McPherson’s oh-so quirky comedy, well, I’ll leave that up to you to decide.
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PRIDE AND PREJUDICE

Jane Austen’s Pride And Prejudice has rarely if ever been more deliciously, delightfully entertaining than Actors Co-op’s irresistible new staging of Helen Jerome’s 1936 adaptation of Miss Austen’s two-centuries-old classic.
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