CAFÉ SOCIETY

Zaniness reigns supreme in Peter Lefcourt’s screwball Café Society, now getting a terrifically performed, imaginatively directed, cleverly designed World Premiere at West L.A.’s Odyssey Theatre, the ever so “Westside” laughfest marred only by a jarring 11th-hour tonal shift that bears rethinking.
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LUKA’S ROOM

Leave it to Rob Mersola, the playwright who gave audiences Backseats & Bathroom Stalls and Dirty Filthy Love Story, to subvert the teenage coming-of-age tale in the most outrageously unexpected of ways in Luka’s Room, the latest Rogue Machine World Premiere and sure to be one of this summer’s most buzzed-about productions.
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NO HOMO

RECOMMENDED

The 2014 Hollywood Fringe Festival hit NO HOMO now gets the fully-staged production I put on my wish list when writing about Brandon Baruch’s hilarious bromcom last year. It also gets a new ending likely to disappoint if not downright infuriate those like this reviewer who fell unreservedly in love with NO HOMO 1.0.
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ALWAYS … PATSY CLINE

Cori Cable Kidder delivers a star-making performance as country music legend Patsy Cline in Sierra Madre Playhouse’s season-opening revival of Ted Swindley’s Always … Patsy Cline, easily one of the newly revitalized Playhouse’s best productions ever.
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THE FABULOUS LIPITONES

RECOMMENDED

Barbershop harmonies, sitcom-ready jokes, and a savory dollop of Bollywood spice make The Fabulous Lipitones’ California Premiere a pleasant bit of midsummer fluff likely to please (if not rejuvenate) the Colony Theatre’s longtime subscriber base.
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THE HEIR APPARENT

As he did with Corneille’s The Liar a few years back, playwright David Ives once again works his theatrical magique on a centuries-old comédie française in The Heir Apparent, Ives’ 2014 off-Broadway adaptation of Jean-François Regnard’s 1706 farcical French bonbon Le Légataire Universelle, now delighting audiences in its Los Angeles Premiere at Long Beach’s International City Theatre.
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BAD JEWS

To the list of female comedy leads that any actress would kill to play (and win awards for), a list that includes Born Yesterday’s Billie Dawn, Twentieth Century’s Lily Garland, and Lost In Yonkers’ Bella Kurnitz, you can now add the name Daphna Feygenbaum, a role that Molly Ephraim knocks out of the ball park—and then some—in the Geffen Playhouse’s West Coast Premiere of Joshua Harmon’s Bad Jews, a play as hilarious as it is brilliant, and one you’ll be talking about for quite some time to come.
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THE TROUBLE WE COME FROM

News of his girlfriend’s pregnancy sends a 30something writer on a 24-hour journey of self-discovery in Scott Caan’s World Premiere comedy The Trouble We Come From, the actor-writer’s smart, funny companion piece to his previous Falcon Theatre hit No Way Around But Through.
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