HAY FEVER


A weekend in the country has rarely proven as delightfully, deliciously madcap as the one L.A. theatergoers can now spend with the ever so eccentric Bliss family in South Pasadena Theatre Workshop’s ever so effervescent revival of Noël Coward’s 1924 comedic gem Hay Fever.
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DOG SEES GOD: CONFESSIONS OF A TEENAGE BLOCKHEAD


A teenage Charlie Brown confronts life’s mysteries and challenges in Bert V. Royal’s, hilarious, thought-provoking, ultimately transformative Dog Sees God: Confessions Of A Teenage Blockhead, now getting a fabulous 19th-anniversary revival at the Hudson Mainstage Theatre.
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IT’S ONLY A PLAY


Torrance Theatre Company closes its 2023-24 season with the most impeccably cast, directed, performed, and designed of the three productions I’ve seen of Terrence McNally’s backstage comedic gem It’s Only A Play.
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THE ALTRUISTS

A talented bunch of recent AAMDA grads have joined creative forces at this year’s Hollywood Fringe Festival to bring audiences The Altruists, Nicky Silver’s outrageously funny skewering of liberal causes gone berserk.
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YOU CAN’T TAKE IT WITH YOU


Few golden age Broadway comedies hold up anywhere near as marvelously as George S. Kaufman and Moss Hart’s 1936 classic You Can’t Take It With You, the playwriting duo’s laugh-packed look at a charmingly eccentric multi-generational family residing together in perfect, if oddball, harmony in a large New York City home in the mid-1930s.
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THE EXPLORERS CLUB


Things get wild and wacky when a comely female anthropologist is proposed for membership in a heretofore all-male scientific society in Nell Benjamin’s madcap Victorian romp The Explorers Club, now getting a delectably acted West Coast Premiere at Theatre 40.
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MISALLIANCE


George Bernard Shaw fans won’t find a more sparklingly performed or exquisitely designed production of Misalliance than the one now playing at A Noise Within, and even if like me you find Shaw plays overly long and talky, this one’s suddenly zippy second act will have you singing its praises.
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CAN’T LIVE WITHOUT ‘EM

How would you like to be trapped in a room with your first wife, your current wife, and the girlfriend neither of them knows about? That’s the dilemma faced by a comatose Thomas Axelrod in Lee Redmond’s Can’t Live Without ‘Em, an amusing World Premiere two-hour sitcom now playing upstairs at the Group Rep that I just might have enjoyed even more without its central conceit.
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