DESIGN FOR LIVING

An Americanized trio of romantic protagonists and a gay subtext made explicit are two reasons Odyssey Theatre Ensemble’s provocative but problematic staging of Noël Coward’s Design For Living is a far cry from the one Broadway audiences first discovered back in 1933.
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SEMINAR


Theresa Rebeck’s darkly comedic, dramatically potent Seminar gives five talented L.A. actors the chance to dazzle under Jeremy Luke’s razor-sharp direction at North Hollywood’s Theatre 68.
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THE OUTSIDER


Things get hilariously out of hand when the seemingly ineffectual lieutenant governor of an unnamed state suddenly finds himself the man in charge in Paul Slade Smith’s The Outsider, a front-runner for the year’s funniest and smartest comedic treat.
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HAY FEVER


A weekend in the country has rarely proven as delightfully, deliciously madcap as the one L.A. theatergoers can now spend with the ever so eccentric Bliss family in South Pasadena Theatre Workshop’s ever so effervescent revival of Noël Coward’s 1924 comedic gem Hay Fever.
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DOG SEES GOD: CONFESSIONS OF A TEENAGE BLOCKHEAD


A teenage Charlie Brown confronts life’s mysteries and challenges in Bert V. Royal’s, hilarious, thought-provoking, ultimately transformative Dog Sees God: Confessions Of A Teenage Blockhead, now getting a fabulous 19th-anniversary revival at the Hudson Mainstage Theatre.
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IT’S ONLY A PLAY


Torrance Theatre Company closes its 2023-24 season with the most impeccably cast, directed, performed, and designed of the three productions I’ve seen of Terrence McNally’s backstage comedic gem It’s Only A Play.
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THE ALTRUISTS

A talented bunch of recent AAMDA grads have joined creative forces at this year’s Hollywood Fringe Festival to bring audiences The Altruists, Nicky Silver’s outrageously funny skewering of liberal causes gone berserk.
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YOU CAN’T TAKE IT WITH YOU


Few golden age Broadway comedies hold up anywhere near as marvelously as George S. Kaufman and Moss Hart’s 1936 classic You Can’t Take It With You, the playwriting duo’s laugh-packed look at a charmingly eccentric multi-generational family residing together in perfect, if oddball, harmony in a large New York City home in the mid-1930s.
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