THE UNDERSTUDY

The Understudy, Theresa Rebeck’s love letter-slash-poison pen missive to Broadway, Hollywood, and the craft/vocation/affliction of acting, makes for a terrifically acted Southern California Premiere showcase for a trio of L.A. up-and-comers.
(read more)

CLOUD 9

Nearly four decades have passed since Cloud 9 made its West End debut, but Caryl Churchill’s comedic examination of gender and sexuality remains every bit as entertaining, as contemporary, and as downright mind-blowing in 2016 as it was in 1979, particularly as given vibrant new life by The Antaeus Company in a “partner-cast” staging that would give any Broadway revival a run for its money, albeit on a far more intimate (and infinitely more affordable) scale.
(read more)

THE MONGOOSE

NOT RECOMMENDED

Acting, direction, and design are all Grade A in The Mongoose, but what on earth prompted The Road Theatre Company to give Will Arbery’s head-scratcher of a script the go-ahead?
(read more)

PAST TIME

Stepping inside someone else’s skin may be just what Grandpa James and Grandson Chris need to make their respective romantic lives click in Padraic Duffy’s deliciously quirky, often side-splittingly funny, ultimately heartwarming (albeit somewhat over-padded) World Premiere comedy Past Time, now playing at Sacred Fools’ excitingly refurbished digs on Hollywood’s Theatre Row.
(read more)

CRIERS FOR HIRE

A trio of SoCal Filipinas earning extra cash by weeping and wailing at funerals may provide the title (and the hook) for Giovanni Ortega’s Criers For Hire, but it’s the play’s mother-daughter reunion and its look at a teenage girl’s coming-of-age in a new land that give Ortega’s delightful, charming World Premiere comedy its emotional heart and punch.
(read more)

PRIVATE EYES

Reality and fiction. Truth and lies. Has any playwright had more fun fooling (and delighting and engaging) an audience than Steven Dietz does in Private Eyes, the best straight-play production I’ve seen at Santa Monica’s venerable community theater, the Morgan-Wixson, and one that easily holds its own against the top professional houses in town.
(read more)

DEN OF THIEVES

Organized crime meets a quartet of disorganized would-be criminals to wild and wacky effect in Stephen Adly Guirgis’s Den Of Thieves, now getting a hilarious 20th-anniversary revival by 2Cents Theatre Group.
(read more)

THE MADWOMAN IN THE VOLVO

RECOMMENDED

Solo queen Sandra Tsing Loh has arrived at South Coast Rep with a couple of guest actresses in tow for The Madwoman In The Volvo, an autobiographical look at menopause and infidelity more likely to appeal to female theatergoers forty-five and older than to those who don’t fit this specific demographic.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »