ONE OF THE NICE ONES

Expect the unexpected—and then some—in Erik Patterson’s One Of The Nice Ones, an edge-of-your-seat dark comedy so filled with “I didn’t see that coming” twists that it’s almost impossible to review without revealing a spoiler or two, but I’ll do my best, while at the same time still providing a taste of the latest from one of L.A.’s most exciting contemporary playwrights now making his Echo Theater Company debut.
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CHURCH & STATE

A North Carolina senator’s “Road To Damascus” conversion from staunch 2nd Amendment advocate to gun control champion may sound about as improbable as Barbara Boxer suddenly turning pro-life, but it makes for powerful, thought-provoking comedy (that’s right, comedy) in Jason Odell Williams’ Church & State, now being given a sensationally acted and directed NNPN Rolling World Premiere* by Skylight Theatre Company.
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BAD JEWS

Cousins clash over religion, their heritage, and a precious family heirloom in Joshua Harmon’s equal parts side-splitting, button-pushing, discussion-provoking Bad Jews, back in L.A. as a mostly quite successful guest production at Hollywood’s Theatre Of NOTE.
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THE ARMADILLO NECKTIE

From the moment the lights go up on a mobile command center somewhere in the Iraqi desert where a hooded man finds himself strapped to a chair, a pair of jumper cables attached to his nuts by a military officer whose first words are “Whatsup, mothafucka?” you know you’re no longer at your grandparents’ Lonny Chapman Theatre as The Group Rep debuts Gus Krieger’s outrageously dark, outrageously foul-mouthed, outrageously funny The Armadillo Necktie.
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MAJOR BARBARA

Terrific performances spark Infinite Jest Theatre Company’s revival of George Bernard Shaw’s Major Barbara under Branda Lock’s assured direction. Sets and lighting may give the production a rather low-end look, but some particularly fine work by Samantha Barrios, William Reinbold, and Graciela Valderama (among others) make it worth your while to catch Shaw’s bitingly comedic, still relevant look at religion and war and wealth and poverty and morality in all their shades of gray.
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TENNESSEE WILLIAMS UnSCRIPTED

Things get as hot and steamy as an Everglades swamp (and as hilarious as only the improv geniuses of Impro Theatre can make them) in Tennessee Williams UnScripted, the troupe’s fourth visit to Garry Marshall’s Falcon Theatre.
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VANYA AND SONIA AND MASHA AND SPIKE

Christopher Durang’s Vanya And Sonia And Masha And Spike has arrived at International City Theatre, the delectable 2013 Best Play Tony winner proving one of early summer’s yummiest treats.
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RUBEN GUTHRIE

Giving up the bottle in a country where the rate of alcoholism is among the highest in the developed world is no laughing matter, that is unless you’re playwright Brendan Cowell, whose year of self-imposed sobriety inspired the thoroughly entertaining dark dramatic comedy Ruben Guthrie, the second half of the rotating-rep double-bill that marks the welcome return of Los Angeles’s Australian Theatre Company.
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