THE ARMADILLO NECKTIE

From the moment the lights go up on a mobile command center somewhere in the Iraqi desert where a hooded man finds himself strapped to a chair, a pair of jumper cables attached to his nuts by a military officer whose first words are “Whatsup, mothafucka?” you know you’re no longer at your grandparents’ Lonny Chapman Theatre as The Group Rep debuts Gus Krieger’s outrageously dark, outrageously foul-mouthed, outrageously funny The Armadillo Necktie.
(read more)

MAJOR BARBARA

Terrific performances spark Infinite Jest Theatre Company’s revival of George Bernard Shaw’s Major Barbara under Branda Lock’s assured direction. Sets and lighting may give the production a rather low-end look, but some particularly fine work by Samantha Barrios, William Reinbold, and Graciela Valderama (among others) make it worth your while to catch Shaw’s bitingly comedic, still relevant look at religion and war and wealth and poverty and morality in all their shades of gray.
(read more)

TENNESSEE WILLIAMS UnSCRIPTED

Things get as hot and steamy as an Everglades swamp (and as hilarious as only the improv geniuses of Impro Theatre can make them) in Tennessee Williams UnScripted, the troupe’s fourth visit to Garry Marshall’s Falcon Theatre.
(read more)

VANYA AND SONIA AND MASHA AND SPIKE

Christopher Durang’s Vanya And Sonia And Masha And Spike has arrived at International City Theatre, the delectable 2013 Best Play Tony winner proving one of early summer’s yummiest treats.
(read more)

RUBEN GUTHRIE

Giving up the bottle in a country where the rate of alcoholism is among the highest in the developed world is no laughing matter, that is unless you’re playwright Brendan Cowell, whose year of self-imposed sobriety inspired the thoroughly entertaining dark dramatic comedy Ruben Guthrie, the second half of the rotating-rep double-bill that marks the welcome return of Los Angeles’s Australian Theatre Company.
(read more)

HONKY

If laughter is indeed the best medicine for what ails us, then anyone afflicted with racism would do well to check out the latest from Rogue Machine, Greg Kalleres’s foul-mouthed and fabulous satirical comedy Honky. (And if you think the R-word doesn’t apply to you, then you clearly haven’t heard Avenue Q’s “Everyone’s A Little Bit Racist.”)
(read more)

TORCH SONG TRILOGY

RECOMMENDED International Stud
RECOMMENDED Fugue in a Nursery
Widows And Children First!

Andrew J. Villarreal gives the year’s most extraordinary performance as flamboyant but mush-hearted Jewish drag queen Arnold Beckoff in Harvey Fierstein’s Torch Song Trilogy, making Theatre Out’s rarer-than-rare revival well worth seeing despite the flawed execution of the first two of its three one-act plays.
(read more)

STAGE KISS

Noël Coward meets Noises Off meets Conor McPherson when a couple of onetime lovers find themselves lip-locked once again in not one but two not-so-brilliant regional theater productions in Sarah Ruhl’s scrumdiddlyumptious backstage comedy Stage Kiss, now getting its West Coast Premiere at the Geffen Playhouse.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »