THE LAST VIG

Supporting performances are uniformly terrific and design elements as good as it gets, but with a low-energy Burt Young slowing things down to a snail’s pace, audiences in search of theatrical sparks had best look elsewhere than writer-director David Varriale’s potentially entertaining Mafia comedy The Last Vig*.
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THE ROOMMATE

Jen Silverman reinvigorates the surefire (if overly familiar) odd-couple comedy in The Roommate, a South Coast Repertory West Coast Premiere that may well defy credibility in its final scenes but never fails to entertain, particularly as performed by a crackerjack couple of SoCal stage treasures.
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BLACK COMEDY

An inspired concept and some virtuoso physical comedy make the first two-thirds of Peter Shaffer’s Black Comedy a one-of-a-kind Glendale Centre Theatre treat before the laughter gets derailed by a jarring second-act tonal shift and some unexpected (and decidedly unpleasant) character twists.
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STAY TUNED

Polish it may lack but laughs there are aplenty in Stay Tuned, Ryan Paul James’ amusing mash-up of Charles Dickens’ A Christmas Carol and Orson Welles’ War Of The Worlds, Theatre 68’s holiday gift to North Hollywood and beyond.
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SNOWED INN

Love complications ensue when four couples find themselves stuck together under one roof in David Ewing’s overlong, only intermittently amusing romantic sitcom Snowed Inn, now getting its World Premiere engagement at NoHo’s El Portal Theatre.
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A TELENOVELA CHRISTMAS CAROL

Imagine a bunch of East L.A. or Boyle Heights vecinos getting together to put on a Christmas show for friends and family and what you’ve got is A Telenovela Christmas Carol, Force Of Nature Productions’ unpolished but entertaining adaptation of the Charles Dickens classic Mexican soap opera-style.
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BOB’S HOLIDAY OFFICE PARTY

Let the beer chugging begin! Bob’s Holiday Office Party, the yuletide season’s side-splittingest antidote to yet another A Christmas Carol, Nutcracker, or It’s A Wonderful Life, is back in town for its 21st year of drunken Midwestern mayhem.
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KENTUCKY

Thomas Wolfe to the contrary, you can go home again. Just don’t expect to have fun once you’ve arrived, not if the family you’ve left behind in the Appalachians is as dysfunctional as Hiro’s in Leah Nanako Winkler’s Kentucky, an entertaining but hit-and-miss East West Players West Coast Premiere that could be a whole lot better without tonal shifts that take it back and forth from over-the-top sitcomish to authentically real.
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