SEX

The sound you hear at the Hudson Mainstage Theatre is Mae West turning over in her grave at the travesty being made of Sex, the 1926 play that outraged critics but proved that season’s biggest Broadway hit and put its one-of-a-kind playwright-star on the map.
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THE SISTERS ROSENSWEIG

Sara, Gorgeous, and Pfeni Rosensweig are back and every bit as smart and sassy and engaging at South Coast Repertory as they were when playwright Wendy Wasserman, fresh from her Pulitzer Prize win for The Heidi Chronicles, debuted The Sisters Rosensweig back in 1992.
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BAD JEWS

Joshua Harmon’s Bad Jews is back in a terrifically acted and directed Odyssey Theatre Ensemble production that does its smart, button-pushing source material proud.
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DIE, MOMMIE, DIE!

Over-the-top doesn’t begin to describe the performances–or the fun of seeing so much scenery chewed by so sensational a cast–in Center Theatre Group’s Block Party reprise of Celebration Theatre’s 2017 comedy smash Die, Mommie, Die!
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KNIFE TO THE HEART

To cut or not to cut. That is the question facing Marshall and his shiksa spouse when pregnant-with-twins Julie Ann learns that the postpartum shindig her Jewish mother-in-law’s got planned will involve not just cocktails but a bit of infant cock-snipping. No wonder Stan Zimmerman and Christian McLaughlin have titled their entertaining, unexpectedly touching 80-minute stage sitcom Knife To The Heart.
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NOISES OFF

A Noise Within re-revives its all-time biggest money-maker, Michael Frayn’s Noises Off, guaranteeing audiences two-and-a-half hours of comedic bliss, and not just in Acts One, Two, and Three. This farce-to-end-all-farces is so out-and-out hilarious, you may even find yourself experiencing delayed-reaction laughter during intermissions.
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SIGNIFICANT OTHER

The gay guy finally gets to be Julia Roberts (or Janeane Garofalo circa The Truth About Cats And Dogs) in Significant Other, Joshua Harmon’s smart, funny, bracingly sardonic romcom now getting a terrific East Coast-cast West Coast Premiere at the Geffen.
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PIGS AND CHICKENS

The Office meets A.I. meets Orwell’s Big Brother in Marek Glinski’s entertaining if a tad over-complicated satirical absurdist black comedy Pigs And Chickens, the latest Ensemble Studio Theatre/LA World Premiere.
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