THE CHALK GARDEN

Brits don’t get more delightfully eccentric than the residents of Mrs. St. Maugham’s Sussex manor house in Enid Bagnold’s 1955 charmer The Chalk Garden, the latest Theatricum Botanicum gem.
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YELLOW FACE

Tony-winning playwright David Henry Hwang blurs fact and fiction in the most devilishly clever of ways while tackling issues of racism and race in his 2007 off-Broadway hit Yellow Face, now provoking gales of laughter, plenty of post-performance discussion, and an unexpected tear or two at Beverly Hills Playhouse.
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THE MOTHERF**KER WITH THE HAT

Stephen Adly Guirgis’s The Motherf**ker With The Hat proves a terrific showcase for the young professional actors studying at the Gloria Gifford Conservatory at the school’s spiffy new digs on Hollywood Theatre Row.
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SCREWBALL COMEDY

If Ben Hecht‎ and ‎Charles MacArthur (The Front Page, Twentieth Century) were alive today, they might have written Screwball Comedy, a Norm Foster/Theatre 40 gem that more than does justice to the genre whose name it bears.
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THREE DAYS IN THE COUNTRY

Unrequited love has rarely been as delightful to witness as it is in Three Days In The Country, playwright Patrick Marber’s tasty new “version of” Ivan Turgenev’s considerably older (by about a hundred seventy years), longer (by an hour and a half), and stodgier (or so I’m told) A Month In The Country, and a glorious return to partner-cast form for L.A.’s crème-de-la-crème Antaeus Theatre Company.
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THE BLADE OF JEALOUSY

The Blade Of Jealousy, Henry Ong’s contemporary updating of a 17th-century Spanish screwball farce, proves a misfire for the writer of the justly lauded Sweet Karma, a misdirected, overacted, and mostly laugh-free World Premiere now playing Sundays at Sherman Oaks’ Whitefire Theatre.
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THE 39 STEPS

Richard Hannay is on the run again in Patrick Barlow’s masterful four-actor comedic adaptation of John Buchan’s The 39 Steps, as supremely imaginative an evening of theater as you’re likely to experience any time soon.
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AS WE BABBLE ON

Millennials get their turn in the East West Players spotlight in Nathan Ramos’s World Premiere comedy As We Babble On, a crowd-pleasing Asian-American take on Friends with more than just laughter on its mind.
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