JANE AUSTEN IN 89 MINUTES
Monday, September 30th, 2024
Jane Austen fans are guaranteed to go gaga for Jane Austen In 89 Minutes, Syrie James’s deliciously clever retelling of every single novel Jane ever published, now getting a scintillatingly performed World Premiere production at Theatre 40.
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MEDEA COMES TO OUR TOWN
Tuesday, August 27th, 2024Euripides’ murderous mama visits Thornton Wilder’s iconic New England burg in the aptly titled Medea Comes To Our Town, and if you’re a theater trivia whiz who loves the two aforementioned playwrights equally, Tony Foster’s clever mashup of their chefs-d’oeuvre will be right up your alley. I enjoyed most of it quite a lot.
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THE HISPANIC/LATINO/LATINA/LATINX/LATINÉ VOTE
Monday, August 26th, 2024
If pre-election worries have got you feeling all angsty about November 5, then head on over to Theatricum Botanicum for The Hispanic/Latino/Latina/Latinx/Latiné Vote, Bernardo Cubría’s couldn’t-be-more-topical-or-entertaining cure for the pre-election blues.
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TARTUFFE: BORN AGAIN
Tuesday, August 13th, 2024
That Bible-thumping scoundrel Tartuffe is once again bound and determined to rob a wealthy family blind, albeit this time in the big-haired, big-shouldered 1980s, in Tartuffe: Born Again, Freyda Thomas’s Baton Rouge-set translation of the 1664 Moliere classic, now tickling audience funny bones under Topanga skies at Will Geer’s Theatricum Botanicum.
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HUMAN ERROR
Sunday, August 11th, 2024
A fertility clinic snafu wreaks hilarious havoc on the lives of two married couples, one Red State, one Blue State, in Rogue Machine Theatre’s Los Angeles Premiere of Eric Pfeffinger’s smart, topical, and very, very funny Human Error.
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CLUE
Thursday, August 1st, 2024
Audiences craving a cure for the summertime blues need look no further than Clue, eighty minutes of nonstop whodunit hilarity presented Live On Stage at the Ahmanson.
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THE SPY WHO WENT INTO REHAB
Tuesday, July 9th, 2024
A debonair British secret agent faces his evilest and most nefarious foe, i.e., his own alcohol, nicotine, gambling, and sex addictions (with anger issues thrown in for good measure), in Gregg Ostrin’s deliciously clever, fiendishly funny The Spy Who Went Into Rehab, the latest from Pacific Resident Theatre.
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