JANE AUSTEN IN 89 MINUTES


Jane Austen fans are guaranteed to go gaga for Jane Austen In 89 Minutes, Syrie James’s deliciously clever retelling of every single novel Jane ever published, now getting a scintillatingly performed World Premiere production at Theatre 40.
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MEDEA COMES TO OUR TOWN

Euripides’ murderous mama visits Thornton Wilder’s iconic New England burg in the aptly titled Medea Comes To Our Town, and if you’re a theater trivia whiz who loves the two aforementioned playwrights equally, Tony Foster’s clever mashup of their chefs-d’oeuvre will be right up your alley. I enjoyed most of it quite a lot.
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THE HISPANIC/LATINO/LATINA/LATINX/LATINÉ VOTE


If pre-election worries have got you feeling all angsty about November 5, then head on over to Theatricum Botanicum for The Hispanic/Latino/Latina/Latinx/Latiné Vote, Bernardo Cubría’s couldn’t-be-more-topical-or-entertaining cure for the pre-election blues.
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THE 39 STEPS


South Pasadena Theatre Workshop treats audiences to 75 minutes of virtually nonstop laughter in their somewhat abridged take on Patrick Barlow’s masterful four-actor stage adaptation of Alfred Hitchcock’s movie version of John Buchan’s spy classic The 39 Steps.
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TARTUFFE: BORN AGAIN


That Bible-thumping scoundrel Tartuffe is once again bound and determined to rob a wealthy family blind, albeit this time in the big-haired, big-shouldered 1980s, in Tartuffe: Born Again, Freyda Thomas’s Baton Rouge-set translation of the 1664 Moliere classic, now tickling audience funny bones under Topanga skies at Will Geer’s Theatricum Botanicum.
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HUMAN ERROR


A fertility clinic snafu wreaks hilarious havoc on the lives of two married couples, one Red State, one Blue State, in Rogue Machine Theatre’s Los Angeles Premiere of Eric Pfeffinger’s smart, topical, and very, very funny Human Error.
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CLUE


Audiences craving a cure for the summertime blues need look no further than Clue, eighty minutes of nonstop whodunit hilarity presented Live On Stage at the Ahmanson.
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THE SPY WHO WENT INTO REHAB


A debonair British secret agent faces his evilest and most nefarious foe, i.e., his own alcohol, nicotine, gambling, and sex addictions (with anger issues thrown in for good measure), in Gregg Ostrin’s deliciously clever, fiendishly funny The Spy Who Went Into Rehab, the latest from Pacific Resident Theatre.
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