SCREWBALL COMEDY

If Ben Hecht‎ and ‎Charles MacArthur (The Front Page, Twentieth Century) were alive today, they might have written Screwball Comedy, a Norm Foster/Theatre 40 gem that more than does justice to the genre whose name it bears.
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THREE DAYS IN THE COUNTRY

Unrequited love has rarely been as delightful to witness as it is in Three Days In The Country, playwright Patrick Marber’s tasty new “version of” Ivan Turgenev’s considerably older (by about a hundred seventy years), longer (by an hour and a half), and stodgier (or so I’m told) A Month In The Country, and a glorious return to partner-cast form for L.A.’s crème-de-la-crème Antaeus Theatre Company.
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THE BLADE OF JEALOUSY

The Blade Of Jealousy, Henry Ong’s contemporary updating of a 17th-century Spanish screwball farce, proves a misfire for the writer of the justly lauded Sweet Karma, a misdirected, overacted, and mostly laugh-free World Premiere now playing Sundays at Sherman Oaks’ Whitefire Theatre.
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THE 39 STEPS

Richard Hannay is on the run again in Patrick Barlow’s masterful four-actor comedic adaptation of John Buchan’s The 39 Steps, as supremely imaginative an evening of theater as you’re likely to experience any time soon.
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AS WE BABBLE ON

Millennials get their turn in the East West Players spotlight in Nathan Ramos’s World Premiere comedy As We Babble On, a crowd-pleasing Asian-American take on Friends with more than just laughter on its mind.
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SEX

The sound you hear at the Hudson Mainstage Theatre is Mae West turning over in her grave at the travesty being made of Sex, the 1926 play that outraged critics but proved that season’s biggest Broadway hit and put its one-of-a-kind playwright-star on the map.
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THE SISTERS ROSENSWEIG

Sara, Gorgeous, and Pfeni Rosensweig are back and every bit as smart and sassy and engaging at South Coast Repertory as they were when playwright Wendy Wasserman, fresh from her Pulitzer Prize win for The Heidi Chronicles, debuted The Sisters Rosensweig back in 1992.
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BAD JEWS

Joshua Harmon’s Bad Jews is back in a terrifically acted and directed Odyssey Theatre Ensemble production that does its smart, button-pushing source material proud.
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