BESTSELLER

The quirky young writers who populate Peter Quilter’s new comedy may have funny things to say, but engaging characters and amusing one-liners aren’t nearly enough to suggest post-World Premiere life for Bestseller, that is unless the author of Glorious! and End Of The Rainbow can provide them with something every playwright should have in his bag of tricks. A plot.
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DEAD ACCOUNTS

A New York Banker returns to his family’s Cincinnati home with wads of cash and a secret that’s about to rock their world in Dead Accounts, Theresa Rebeck’s darkly comedic look at the Red State-Blue State divide, now getting a terrifically acted Southern California Premiere at San Pedro’s Little Fish Theatre.
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TIGERS BE STILL

Grief, loss, guilt, depression, and a ferocious jungle feline on the loose might seem the unlikeliest of ingredients for comedy, but playwright Kim Rosenstock weaves them all together to laugh-packed effect in Tigers Be Still, the latest Chance Theater winner.
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MY THING OF LOVE

An alternate cast prove the wrong trio of actors to make Alexandra Gersten-Vassilaros’ offbeat comic drama My Thing Of Love come to explosive life in its Sixty-Six Theater Co. debut under Paul Rush’s direction.
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BOXING LESSONS

A TV season’s worth of secrets and lies come to light over the course of one tumultuous weekend in John Bunzel’s darkly comedic, ever so slightly absurdist Boxing Lessons, an expertly acted, directed, and designed New American Theatre World Premiere.
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AUNTIE MAME

Amanda Walker’s absolutely fabulous Mame Dennis and Lauren Mayfield’s hilariously scene-stealing Agnes Gooch are the best reasons to catch Inland Valley Repertory Theatre’s big-stage revival of Jerome Lawrence and Robert E. Lee’s 1955 Broadway smash Auntie Mame, that and the chance to see where its hit Hollywood screen adaptation and the Jerry Herman musical gem Mame got their start.
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ATTACK OF THE SECOND BANANAS

Dueling divas get double-murdered in Gina Torrecilla’s Attack Of The Second Bananas, a World Premiere backstage comedy whodunnit that despite occasional bright moments mostly falls flat.
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BORN TO WIN

Little Miss Sunshine hopefuls could learn a thing or two from the Texas-based partners (business and otherwise) who coach preschool pixies to beauty pageant stardom in Matthew Wilkas and Mark Setlock’s Born To Win, the outrageously funny latest from Celebration Theatre.
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