THE CALORIE COUNTERS

Excess pounds may be no laughing matter, but playwright Molly Wagner finds equal parts comedy and drama in a 20something’s efforts to shed them in The Calorie Counters, a crowd-pleasing Loft Ensemble World Premiere.
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TAMING THE LION


1930s Hollywood lives again at Theatre 40 in Taming The Lion, Jack Rushen’s absorbing, entertaining, enlightening look back at Top 5 Box Office draw William Haines, who gave up stardom for the man he loved.
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AN OCTOROON


Playwright Branden Jacobs-Jenkins resurrects and reimagines a creaky pre-Civil War melodrama in his adventurous, genre-bending, meta-theatrical 2014 Obie Award winner An Octoroon, not only a long-awaited Fountain Theatre Los Angeles Premiere but a much-anticipated return to live, in-person play-going on the Fountain’s newly constructed open air stage.
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A BODY OF WATER

Get ready to have your mind boggled in the most provocative of ways as Actors Co-op tantalizes and challenges audiences with the gripping if frustrating brainteaser that is Lee Blessing’s A Body Of Water.
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THE FATHER

Dementia as seen from the inside out. Harrowing, disorienting, and mesmerizing. Unexpectedly, refreshingly funny. Smash runs in Paris, London, and New York. Florian Zeller’s world-acclaimed The Father has arrived at the Pasadena Playhouse with an absolutely superb Alfred Molina in the title role.
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THIS SIDE OF CRAZY

No one writes about the sordid lives of Southern Baptist women with more vinegar-laced love and affection than Del Shores, once again delighting Zephyr Theatre audiences with his latest dramedic treat, a rib-tickling, tear-jerking Kentucky-fried feast appropriately dubbed This Side Of Crazy.
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SUNDAY DINNER

An abundance of secrets and lies get revealed over the course of one eventful evening in Tony Blake’s funny, engaging, twist-filled Sunday Dinner, now getting a spiffy, splendidly acted World Premiere production at Beverly Hills’ Theatre 40.
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THE WATER TRIBE

Playwright Don Cummings could well have titled his strange-but-never-boring new play Trainwreck rather than The Water Tribe because like an accident about to happen, you simply can’t take your eyes away from its hot mess of a female protagonist or Hannah Prichard’s tornado of a lead performance.
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