CRY IT OUT


Stay-at-home nursing moms rarely get a center-stage spotlight, which is just one reason to cheer the arrival of Molly Smith Metzler’s funny, compelling, deeply touching dramedy Cry It Out to Orange County’s Chance Theater.
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A PUBLIC READING OF AN UNPRODUCED SCREENPLAY ABOUT THE DEATH OF WALT DISNEY

There may well be a compelling play to be written about Walt Disney’s life, but Lucas Hnath’s A Public Reading of An Unproduced Screenplay About the Death of Walt Disney is not that play.
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APARTMENT LIVING


Playwright Boni B. Alvarez takes us back to the early months of the pandemic in Apartment Living, the latest Playwrights’ Arena/Skylight Theatre Company World Premiere, and assuming you’re okay with reliving those days of apprehension and uncertainty, Alvarez’s latest offers an adeptly balanced mix of comedy and drama, laughter and fears performed by an all-around fabulous acting ensemble and featuring the most ingenious set design in town.
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TRAYF


Jewish teen besties find both their Orthodox convictions and their lifelong friendship tested in 1991 New York City in Lindsay Joelle’s TRAYF, the entertaining, enlightening, thought-provoking latest from The Geffen Playhouse.
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MARVIN’S ROOM


It takes a gifted playwrights to find comedy in the darkest of scenarios and a talent-blessed theater company to bring these words to pitch-perfect life, which is why Actors Co-op’s long-awaited revival of Scott McPherson’s Marvin’s Room succeeds in evoking abundant laughter through well-earned tears, with an emphasis on the former.
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GOOD PEOPLE


Beverly Hills’ Theatre 40 gives David Lindsay-Abaire’s consistently compelling Good People an impeccably acted intimate theater revival whose only real minus is its scenic design.
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ALLEY OF MISFITS

A couple of homeless women cross paths with a mixed bag of acquaintances and strangers on Thanksgiving Eve in Barbera Ann Howard and Marjorie Lewit’s World Premiere dramedy Alley Of Misfits, itself somewhat of a mixed bag, but one whose pluses ultimately outweigh its minuses.
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@PLAYAZ


A trio of adult gamers face post-lockdown challenges in Dana Schwartz’s engaging World Premiere comedy @Playaz, a play so of-the-moment it seems incredible that the 2019 O’Neill Finalist was originally written pre-Covid.
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