UNDER MILK WOOD


Most theater majors graduating from college and beginning their professional careers end up relying on the kindness of strangers (i.e. producers, directors, and casting directors) to get themselves cast in a play, TV show, commercial, or movie. Then there are the talented Cal State Fullerton grads who have taken matters into their own hands by forming Coeurage Theatre Company.
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SOUTHERN BAPTIST SISSIES

RECOMMENDED
Growing up Southern Baptist is no piece of cake for the four title characters in Southern Baptist Sissies, the fifth production of Theatre Out’s 2010 season.
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SHAKE


There’s something about Reverse Chronology that can work magic with a tale of innocence lost. Take for example Harold Pinter’s Betrayal or Stephen Sondheim’s Merrily We Roll Along, the former beginning with the end of a marriage and ending with the characters’ first meeting, the latter starting off with three irreparably estranged friends and climaxing with the threesome as starry-eyed best-friends-forever.  There’s something particularly poignant about a happy ending when you already know the disillusionment yet to come.
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THE HASTY HEART


John Patrick’s The Hasty Heart is that theatrical rarity—a comedy-drama that is as heartwarming as it is heartbreaking, a life-affirming story about impending death that is, amazingly, oximoronically, a feel-good tearjerker.
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GRACE AND GLORIE


Take two very different individuals, put them in the same space over a period of days, weeks, or years, and watch how they change each other’s lives. This is a formula that has worked to perfection in the Colony Theatre’s critically acclaimed productions of Trying and Educating Rita. The same formula works its magic once again in Tom Ziegler’s Grace And Glorie, a gem of a “two hander” sure to be as much a critical and audience favorite as its predecessors, all three superbly helmed by director Cameron Watson.
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YELLOW


It’s been four years since Del Shores’ Greatest Hits (Sordid Lives, Southern Baptist Sissies, and Trials And Tribulations Of A Trailer Trash Housewife) packed audiences into the Zephyr Theatre for eight memorable months, and over seven years since Shores’ last new play debuted. Since then, Shores and company have gone on to tour the country with the writer’s particular brand of Southern-fried charm and humor, and to produce Sordid Lives: The Series to considerable acclaim. Still, it’s been far too long since Angelinos have had the chance to experience the Shores magic live on stage.
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AGATHA CHRISTIE’S BLACK COFFEE


Agatha Christie and Hercule Poirot give Theatre 40 one of its best productions with the Queen Of Crime’s classic mystery thriller Black Coffee, one which delivers at least as many laughs as thrills, the entire cast delivering sparkling performances with just the right amount of tongue in cheek.
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THE BOYS IN THE BAND


“You’re a sad and pathetic man. You’re a homosexual and you don’t want to be, but there’s nothing you can do to change it.” Thus speaks birthday boy Harold to his party host Michael in Mart Crowley’s 1968 off-Broadway hit The Boys In The Band, to which Michael later replies, his voice laced with bitterness, “Show me a happy homosexual, and I’ll show you a gay corpse.”
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