BECKY’S NEW CAR
Saturday, September 11th, 2010
“When a woman says she wants new shoes, what she really wants is a new job. When she says she wants a new house, what she really wants is a new husband. And when she says she wants a new car, what she really wants is a new life.”
Imparting these words of wisdom is Rebecca (Becky) Foster, middle-aged wife and mother and the title character of Steven Dietz’s Becky’s New Car, now delighting San Diego audiences in an absolutely terrific production at Solana Beach’s North Coast Repertory.
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NEIGHBORS
Saturday, September 4th, 2010
How would you feel if your worst nightmare—the family from hell—moved into the house next door to yours? This is precisely the dilemma faced by African American adjunct college professor Richard Patterson when the Crows take possession of the suburban tract home across the street from his in Neighbors, Branden Jacobs-Jenkins’ provocative though imperfect new comedy-drama now playing at the Matrix Theatre.
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UNDER MILK WOOD
Friday, September 3rd, 2010
Most theater majors graduating from college and beginning their professional careers end up relying on the kindness of strangers (i.e. producers, directors, and casting directors) to get themselves cast in a play, TV show, commercial, or movie. Then there are the talented Cal State Fullerton grads who have taken matters into their own hands by forming Coeurage Theatre Company.
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SOUTHERN BAPTIST SISSIES
Sunday, August 22nd, 2010RECOMMENDED
Growing up Southern Baptist is no piece of cake for the four title characters in Southern Baptist Sissies, the fifth production of Theatre Out’s 2010 season.
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SHAKE
Saturday, August 7th, 2010
There’s something about Reverse Chronology that can work magic with a tale of innocence lost. Take for example Harold Pinter’s Betrayal or Stephen Sondheim’s Merrily We Roll Along, the former beginning with the end of a marriage and ending with the characters’ first meeting, the latter starting off with three irreparably estranged friends and climaxing with the threesome as starry-eyed best-friends-forever. There’s something particularly poignant about a happy ending when you already know the disillusionment yet to come.
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THE HASTY HEART
Wednesday, July 21st, 2010
John Patrick’s The Hasty Heart is that theatrical rarity—a comedy-drama that is as heartwarming as it is heartbreaking, a life-affirming story about impending death that is, amazingly, oximoronically, a feel-good tearjerker.
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GRACE AND GLORIE
Saturday, June 12th, 2010
Take two very different individuals, put them in the same space over a period of days, weeks, or years, and watch how they change each other’s lives. This is a formula that has worked to perfection in the Colony Theatre’s critically acclaimed productions of Trying and Educating Rita. The same formula works its magic once again in Tom Ziegler’s Grace And Glorie, a gem of a “two hander” sure to be as much a critical and audience favorite as its predecessors, all three superbly helmed by director Cameron Watson.
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YELLOW
Friday, June 11th, 2010
It’s been four years since Del Shores’ Greatest Hits (Sordid Lives, Southern Baptist Sissies, and Trials And Tribulations Of A Trailer Trash Housewife) packed audiences into the Zephyr Theatre for eight memorable months, and over seven years since Shores’ last new play debuted. Since then, Shores and company have gone on to tour the country with the writer’s particular brand of Southern-fried charm and humor, and to produce Sordid Lives: The Series to considerable acclaim. Still, it’s been far too long since Angelinos have had the chance to experience the Shores magic live on stage.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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