THE MERCHANT OF VENICE


When you hear the words “Shakespearean Comedy,” which of the Bard’s plays most quickly pop to mind? A Midsummer Night’s Dream? Twelfth Night? The Taming Of The Shrew? Much Ado About Nothing? As You Like It? All of the above?
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CORPUS CHRISTI


I’ll admit it. I was a Doubting Thomas. As curious as I was about seeing a fresh new take on Terrence McNally’s Corpus Christi, the one production I’d seen previously at Long Beach’s Garage Theatre had not boded well for a second, nor did the discovery that the show was being helmed by a young actor making his directorial debut. Still, the chance to see Corpus Christi again was too tempting to turn down, and August being the quietest theatrical month of the year, this skeptic decided to give the Garage a second chance.
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ON GOLDEN POND


Hal Linden and Christina Pickles as Norman and Ethel Thayer in On Golden Pond. What more needs to be said? With stars like these in a play as beloved as Ernest Thompson’s Drama Desk Award-winning Outstanding New Play of 1979, Burbank’s Colony Theatre could well have its biggest hit ever, and justifiably so. Linden and Pickles deliver award-caliber performances in a play that hasn’t lost an iota of its humor or charm, directed to pitch perfect perfection by Cameron Watson, and featuring a supporting cast every bit as wonderful as its two stars.
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FINDING THE BURNETT HEART


You’d think by now there’d be no need for yet another teenage coming out story, nor would you be likely to expect a playwright to have anything new to offer on the subject.

You’d be wrong.
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FERNANDO RICHARDSON’S TREACHEROUS BRAIN


Fernando Richardson’s brain surgery is tomorrow, but the 40ish building contractor doesn’t seem all that worried. “Doctor was just here,” he tells his wife Kate and best friend Patrick. “Said I may not remember people for a few days. I may be really confused.” The Fernando who emerges from the operating room is more than merely confused however, or so his family and friends will soon discover in Fernando Richardson’s Treacherous Brain, now playing Thursdays at Open Fist Theatre.
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STANDING ON CEREMONY: THE GAY MARRIAGE PLAYS


Standing On Ceremony: The Gay Marriage Plays is back—in a terrific new venue and featuring a hilarious newcomer to its roster of one acts. What hasn’t changed is the excitement of both its concept and its execution.
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DOOLEY

NOT RECOMMENDED

Sometimes no matter how much a production has going in its favor, it simply doesn’t work for a reviewer, no matter the quality of the talent onstage. Diversionary Theatre’s World Premiere play Dooley is just such a production.
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THE CHAIRS


A pair of nonagenarians are the only characters visible throughout most of The Chairs, but who knows how many invisible ones there are on stage by the end of Eugène Ionesco’s “tragic farce,” the latest production from A Noise Within—and a terrific one as might be expected from California’s Home For The Classics.
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