THE BAT
Friday, August 3rd, 2012NOT RECOMMENDED
The swanky upstate New York home designed by Jeff G. Rack seems the ideal setting for murder, the kind written about by Queen Of Crime Agatha Christie or her American predecessor Mary Roberts Rinehart. Ric Zimmerman has lit the elegant upper class digs for maximum suspense, with candles taking the place of electricity when the lights go out (more than once as we know they will). Bill Froggatt’s sound design provides an eerie, suspenseful musical underscoring to this tale of mystery and impending doom.
If only direction and performances came anywhere close to the collaborative efforts of these three top L.A. design talents in The Bat, the latest production from Beverly Hills’ Theatre 40.
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D IS FOR DOG
Saturday, June 23rd, 2012
What starts out as a clever, visually stunning satire of 1950s family sitcoms like Father Knows Best, The Donna Reed Show, and The Adventures Of Ozzie And Harriet turns into something a good more Twilight Zonesque in Rogue Artists Ensemble’s D Is For Dog, now returning to Los Angeles a year after its award-winning initial run, terrific news for those like this reviewer who somehow missed it the first time around.
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LANGUAGE ROOMS
Friday, June 15th, 2012
In his dramatic, suspenseful Back Of The Throat, Egyptian-American playwright Yussef El Guindi explored the plight of an Americanized young Arab who finds himself caught in the Hitchockean dilemma of being pursued for a crime he did not commit—in this case, of plotting terrorist acts in a post-9/11 world. By making Khaled an entirely likeable boy-next-door type with an American girlfriend and nary the trace of an Arabic accent, El Guindi got his audience firmly on the side of the accused before starting to plant seeds of doubt in our minds. Might Khaled actually be the terrorist he’s accused of being?
Language Rooms, El Guindi’s latest, takes a more comedic approach to the same post-9/11 world, but one no less powerful for the laughter it provokes, and has been brought down to Los Angeles lock, stock, director, cast, designers, and barrel by San Francisco’s Golden Thread Productions.
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STONEFACE
Monday, June 4th, 2012
Imagine you’re writer-director Jaime Robledo, and your play Watson won you just about every award in the book, including a pair of Scenies. Then imagine you’re writer-performer Vanessa Claire Stewart, whose Louis And Keely Live At The Sahara and its holiday spin-off won you just about every award in the book, including a grand total of four Scenies. Now try to think of what to do for an encore.
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COMPLEAT FEMALE STAGE BEAUTY
Friday, June 1st, 2012
When Restoration-era diarist Samuel Pepys wrote about “the prettiest woman in the whole house” and “the handsomest man,” in both cases he was referring to the same person—English actor Edward Kynaston. Known throughout mid-17th Century London for his portrayals of Shakespearean heroines Desdemona, Ophelia, and Juliet, Kynaston achieved more recent fame when Billy Crudup played him on the big screen opposite Claire Danes in 2004’s Stage Beauty. North Hollywood’s Crown City Theatre Company now presents the fascinating play upon which Stage Beauty was based—Jeffrey Hatcher’s Compleat Female Stage Beauty, and a gem of a production it is.
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WHERE THE GREAT ONES RUN
Tuesday, May 29th, 2012
Mark Roberts writes plays about abuse, adultery, addiction, illness, incest, and suicide in the American Midwest, or at least that’s the terrain he covered in Parasite Drag, reviewed here a couple years back. Rogue Machine Theatre produces dark, edgy dramas like Small Engine Repair and Blackbird, which swept virtually every major theater award in town this past year. That’s why Roberts’ and Rogue Machine’s maiden collaboration, Where The Great Ones Run, comes as such a surprise. Though alcoholism, domestic violence, homosexuality, and a rather long bit of full-frontal male nudity would doubtless make this Mark Roberts play rather too daring for, say, Actors Co-op, coming from Rogue Machine, Where The Great Ones Run seems downright sunny, more Horton Foote than Sam Shepard, and if you’re anything like this reviewer you’ll love every minute of Roberts’ only slightly acidic valentine to small-town Indiana life. (read more)
REX PICKETT’S SIDEWAYS THE PLAY
Saturday, May 26th, 2012
Longtime best friends Miles and Jack set off on “the ultimate road trip, the last hurrah” in Rex Pickett’s Sideways The Play, now getting a terrific World Premiere staging by Santa Monica’s The Ruskin Group Theatre Co.
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PANACHE
Friday, May 25th, 2012
Here’s a question for romantic comedy buffs. When is the last time you saw a stage play that drew you into its spell and held you throughout laughter (and a tear or two) to a picture perfect fade-out in the same way that romcom favorites like You’ve Got Mail, While You Were Sleeping, and Notting Hill have been doing for decades on the silver screen. It’s been years since this reviewer (and romcom lover) has seen a comedy as intoxicatingly romantic as Don Gordon’s Panache, now in the homestretch of its six-week run at San Pedro’s Little Fish Theatre. As I write this review, you’ve got only two more chances not to miss out on his romantic comedy gem.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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