WOLVES
Saturday, March 9th, 2013
There Will Be Blood. What a title this would have made for playwright Steve Yockey’s latest creation had the name not already been taken. Or There Will Be Chills, or There Will Be Turmoil, or There Will Be Sex (or at the very least Foreplay), or There Will Be Laughs. Wisely, Yockey has simply called his newest devilish confection Wolves (as in Who’s Afraid Of The Big Bad …) and as its real and alternate titles suggest, the prolific stage scribe has confectioned one sexy, funny, dark, bloody fairy tale for adults.
I’LL BE BACK BEFORE MIDNIGHT
Saturday, February 23rd, 2013
Things do considerably more than merely go bump in the night when Greg and Jan Sanderson leave the big city for life in a haunted country farmhouse in I’ll Be Back Before Midnight, Peter Colley’s Gaslight-meets-Deathtrap suspense thriller now getting a shriek-a-minute Los Angeles Premiere at Burbank’s Colony Theatre.
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A FAMILY THING
Tuesday, February 19th, 2013
Alcoholism, drug addiction, childhood abuse, homophobia, racism, and murder would hardly seem a recipe for laughter, yet despite its dramatic underpinnings, Gary Lennon’s World Premiere A Family Thing turns out to be one of the funniest shows in town. It’s also one of the best acted, and one L.A. playgoers in search of a dark, gritty, yet thoroughly entertaining hour-and-a-half of theater won’t want to miss.
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THE GIFT
Friday, February 8th, 2013NOT RECOMMENDED
Fine performances, impressive design elements, and an absolutely stunning action sequence prove insufficient reasons for this reviewer to recommend a trip to the Geffen Playhouse for the American Premiere of Joanna Murray-Smith’s highly problematic dark comedy The Gift.
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DRIVING MISS DAISY
Sunday, February 3rd, 2013
Sierra Madre Playhouse follows last year’s superb, Scenie-winning Incident At Vichy with a beautifully acted, directed, and designed production of Driving Miss Daisy, Alfred Uhry’s award-winning one-acter about an elderly Southern Jewish widow and the African-American driver foisted upon her by her adult son in the years just preceding the Civil Rights Movement.
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THE SNAKE CAN
Sunday, February 3rd, 2013
When was the last time you saw a play about three women on the cusp of fifty navigating the rough waters of big city singlehood? Actually, when was the last time you saw anything—play, movie, or TV series—about three fiftyish females period?
Since the answer to both of these questions is likely to be a big fat “Never,” Kathryn Graf’s world premiere dramedy The Snake Can comes as a particularly welcome surprise … and a rewarding New Years 2013 treat.
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HAPPY FACE SAD FACE
Tuesday, January 29th, 2013
The term “high concept” is one more often applied to a Hollywood blockbuster than to a play getting its World Premiere in one of L.A.’s many 99-seat theaters. Studios seem far more resistant to films that can’t be pitched in a few succinct words than are our local stages—not that there’s necessarily anything wrong with “high concept,” a fact made abundantly clear by R.J. Colleary’s Happy Face Sad Face, now playing at Hollywood’s Lillian Theatre.
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CLYBOURNE PARK
Monday, January 21st, 2013
The 19th Century axiom that “plus ça change, plus c’est la même chose”* could have been thought up to describe race relations in the United States, or at least race relations as Bruce Norris writes about them in his Tony and Pulitzer Prize-winning play Clybourne Park, now getting its first San Diego production—and a splendid one at that—at San Diego REPertory Theatre.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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