IN THE NEXT ROOM (or the vibrator play)

Debuting its new home at North Hollywood’s Secret Rose Theatre, L.A.’s award-winning The Production Company opens its seventh season with a sparkling Los Angeles Intimate Stage Premiere of Sarah Ruhl’s delightful, provocative, ultimately uplifting In The Next Room (or the vibrator play), a 2010 Best Play Tony nominee and one that more than matches Ruhl’s previous The Clean House, Dead Man’s Cell Phone, and Eurydice in quirky originality and charm.
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RAPTURE, BLISTER, BURN


Pulitzer Prize-nominated playwright Gina Gionfriddo examines the changing roles of women from the pre-Betty Friedan 1950s to the post-post-Feminist now in Rapture, Blister, Burn—and if this sounds like a potentially dry (i.e. boring) way to spend a night at the theater, think again. I haven’t had a more exhilarating time with four fabulous women and one not-so-fabulous man in I don’t know how long.
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NIGHT HAWKS


A pair of aging partners in murder-for-pay meet in a rundown diner for breakfast (and playwrights-only-know what else) in Dennis A. Pratt & Robert Vincent O’Neil’s crackerjack comedy-mystery-suspense thriller Night Hawks, now getting a much deserved extension at North Hollywood’s Crown City Theatre.
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THE RAINMAKER


You’d think that a play that ran a mere 125 performances on Broadway way back in 1954 would have faded into almost instant obscurity. Not so with L. Richard Nash’s The Rainmaker, which is doing just fine and dandy nearly sixty years later, as The Old Globe’s captivating, innovative revival makes abundantly clear.
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BRENDAN


A young Irish immigrant adjusts to life in contemporary New York City in Ronan Noone’s Brendan, one of the best—and most entertaining and emotionally resonant—plays I’ve seen this past year, now getting an absolutely superb intimate West Coast Premiere at Theatre Banshee.
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WATSON AND THE DARK ART OF HARRY HOUDINI


What do you do when you’re writer-director Jaime Robledo and your play Watson: The Last Great Tale Of The Legendary Sherlock Holmes has won just about every award in the book? Elementary, my dear reader. You do what Sir Arthur Conan Doyle did after creating his mystery-solving supersleuth in A Study In Scarlet (and what Universal Pictures kept doing year after year for their own inimitable Sherlock, Basil Rathbone). You write and direct a sequel, in this case Watson And The Dark Art Of Harry Houdini, and if the results don’t match the original in sheer brilliance, Watson 2.0 does for the most part avoid the dreaded sophomore curse.
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THE NIGHT FAIRY


Newbery Medal-winner Laura Amy Schlitz’s children’s book The Night Fairy comes to magical life on the stage of the Julianne Argyros Stage at South Coast Repertory, the latest in their popular Theatre For Young Audiences series, and a crowd-pleaser for children of all ages.
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HEART SONG


Flamenco and friendship join forces to help a middle-aged Jewish single New Yorker recover from the death of her 91-year-old mother in Stephen Sachs’ laughter-and-tear-packed new dramedy Heart Song.
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