DAY TRADER


Expect the unexpected, and then some, in Eric Rudnick’s edgy, twist-filled Day Trader, thrillingly staged and terrifically acted in its World Premiere production at the Bootleg Theatre.
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TRUDY AND MAX IN LOVE


A pair of writers meet cute in a “writers’ room” only to fall impossibly in love in Zoe Kazan’s heartbreakingly funny Trudy And Max In Love, now getting its World Premiere at South Coast Repertory.
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DALLAS NON-STOP


The age-old tale of a small-town girl with big-city dreams gets retold with Filipino tang in Boni B. Alvarez’s bittersweet romcom Dallas Non-Stop, the crowd-pleasing latest from Playwrights’ Arena.
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4000 MILES


When was the last time you saw a comedy in which an elderly female character wasn’t made the butt of the joke? When was the last time you saw an intergenerational relationship depicted in all its potential richness? When was the last time you saw a family drama that managed to grip you without resorting to soap opera melodramatics?
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ENDGAME

NOT RECOMMENDED

There are plays that grab you from their opening moments and keep you on the edge of your seat throughout. And then there’s Endgame, the latest from A Noise Within.
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THE HOMOSEXUALS


The flamboyant theater queen who lives to rag on this year’s Tony winners. The average-looking all-around good gay who’s everybody’s best friend and nobody’s boyfriend. The foreign-born charmer living with HIV—though no longer with his (married-her-for-a-green-card) wife. The small-town boy whose move to the big city has meant making gay friends—and a new life he could never have had back home.

We’ve seen these gay men, or gay men like them, on stage before, most notably in the pre-Stonewall world of Mart Crowley’s The Boys In The Band and in the AIDS-crisis world of Terrence McNally’s Love! Valour! Compassion!

Now, young Chicago playwright Philip Dawkins brings these gay archetypes into the 21st Century in his 2011 Jefferson Award-nominated dramedy The Homosexuals, now being given a couldn’t-be-better West Coast Premiere by Celebration Theatre.

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BROADWAY BOUND


Neil Simon reminisces about his last days of being a live-at-home son and the earliest days of his writing career in Broadway Bound, the third play in Simon’s “Eugene Trilogy” and one of the master scribe’s bona fide masterworks, now getting a Broadway-caliber revival by McCoy-Rigby Entertainment at the La Mirada Theatre For The Performing Arts.
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LOST GIRLS


Let’s say your most recent play has won every major Best Production award in L.A. and you’re about to head back east to star in it off-Broadway. That would be one tough act to follow, wouldn’t it?

But follow it John Pollono has with Lost Girls, a night-and-day departure from the aforementioned Small Engine Repair, but a humdinger of a play in its own right, and one whose last five minutes elevate it to a whole new level of amazing.
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