CORPUS CHRISTI

Terrence McNally poses the provocative question, “What if Jesus were gay?” in Corpus Christi, the Tony Award-winning playwright’s highly controversial reimagining of The Life Of Christ as set in his Texas hometown and performed by an all-male cast, a memorable freshman-season closer for Orange County’s The Wayward Artist.
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MURDER ON THE ORIENT EXPRESS

Farce master Ken Ludwig proves the perfect playwright to adapt Agatha Christie’s Murder On The Orient Express for the stage, evidence of which is now on display at La Mirada Theatre For The Performing Arts where Sheldon Epps has directed a pitch-perfect production of a pitch-perfect play.

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THE GAME’S AFOOT

You don’t have to be a murder mystery fan to enjoy Ken Ludwig’s The Game’s Afoot; Or Holmes For The Holidays, but if you are, this Ludwig-meets-Conan Doyle-meets-Agatha Christie farce will prove a particularly tangy holiday treat at Pasadena’s Madeline Gardens, and one served with a high-tea dinner as scrumptious as the show itself.
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QUACK

Allegations of medical advice turned fatal threaten to destroy TV’s most beloved physician in Eliza Clark’s Quack, a Center Theatre Group World Premiere that proves as hilarious as it is timely as it is button-pushing and thought-provoking.
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THE WOMAN IN BLACK

There’s no better month for a ghost story than October and no better place for Halloween chills this year than the City Of Roses as Pasadena Playhouse trick-or-treats audiences to the The Woman In Black, the West End smash comedy thriller staged just as Londoners have been eating it up nonstop since 1989.
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BABY EYES

Playwright Donald Jolly takes us back to 1950s Baltimore via Ancient Greece in Baby Eyes, a Playwrights’ Arena World Premiere that scores points for ambitious intentions if not for its campy mix of ancient myth, Greek tragedy, ’50s melodrama, and men in drag.
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GLORIA

The office banter amongst the millennials who toil for a New Yorker-style magazine in Branden Jacobs-Jenkins’s Gloria may be catty, querulous, gossipy, back-stabbing, and hilarious as all get-out, but the 33-year-old playwright has far more than edgy cable sitcom humor on his mind in his 2015 off-Broadway hit, a ripped-from-today’s-headlines gut-puncher of an Echo Theater Company West Coast Premiere.
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CRY IT OUT

You don’t have to be a stay-at-home nursing mom to fall in love with Molly Smith Metzler’s Cry It Out, but if you are, this one’s especially for you, and it’s about time.
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