BABY EYES

Playwright Donald Jolly takes us back to 1950s Baltimore via Ancient Greece in Baby Eyes, a Playwrights’ Arena World Premiere that scores points for ambitious intentions if not for its campy mix of ancient myth, Greek tragedy, ’50s melodrama, and men in drag.
(read more)

GLORIA

The office banter amongst the millennials who toil for a New Yorker-style magazine in Branden Jacobs-Jenkins’s Gloria may be catty, querulous, gossipy, back-stabbing, and hilarious as all get-out, but the 33-year-old playwright has far more than edgy cable sitcom humor on his mind in his 2015 off-Broadway hit, a ripped-from-today’s-headlines gut-puncher of an Echo Theater Company West Coast Premiere.
(read more)

CRY IT OUT

You don’t have to be a stay-at-home nursing mom to fall in love with Molly Smith Metzler’s Cry It Out, but if you are, this one’s especially for you, and it’s about time.
(read more)

ARRIVAL & DEPARTURE

A deaf New York film professor and a hearing-impaired bookkeeper fall head over heels into adulterous love in Arrival & Departure, playwright Stephen Sachs’ 21st-century updating of Noel Coward’s über-romantic cinematic classic Brief Encounter, a compelling, excitingly staged, terrifically acted Fountain Theatre World Premiere whose script could still use some work.
(read more)

THE HUMANS

Laughter and fears go hand in hand at Thanksgiving dinner in Stephen Karam’s justifiably honored Best Play Tony-winner The Humans, now playing at the Ahmanson with its Tony-winning stars Jayne Howdyshell and Reed Birney (and all but one of its original Broadway ensemble members) intact.
(read more)

MEXICAN DAY

Following the hallucinogenic surrealism of Plunge and the real-time fireworks of Tar, playwright Tom Jacobson concludes his mammoth Bimini Bath Trilogy with no less than an old-fashioned 1940s-style screwball comedy (with dramatic overtones) called Mexican Day, like its predecessors an enthralling, enlightening look at 20th-century L.A. history.
(read more)

CLYBOURNE PARK

White flight circa 1959 and urban gentrification five decades later fuel Bruce Norris’s button-pushing, political-correctness-be-damned comedy Clybourne Park, winner of both the 2011 Pulitzer Prize for Drama and the 2012 Tony Award for Best Play, the finest production I’ve seen at Laguna Playhouse and one of the year’s very best.
(read more)

RED SPEEDO

Obie-winning Tony-nominated playwright Lucas Hnath (The Christians, A Doll’s House, Part 2) takes on Sex, Drugs, and Olympic Sports in Red Speedo, the theatrical equivalent of a Raging Waters thrill ride now getting a gold-medal Southern California Premiere at the Road on Magnolia.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »