MAN OF GOD

The discovery of a spy cam pointing up from inside the hotel bathroom toilet of four Korean-American teens on a mission trip to Thailand sets in motion a wild and unexpected chain of events in Anna Moench’s Man Of God, an East West Players World Premiere as funny, dramatic, and edge-of-your-seat gripping as it is a timely reminder that there are no age restrictions where the #metoo movement is concerned.
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AUGUST WILSON’S TWO TRAINS RUNNING

August Wilson’s Pulitzer Prize-nominated Two Trains Running arrives at the Matrix just in time for Black History Month in as powerfully staged and performed a production as any theatergoer, regardless of color, could possibly wish for.
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LINDA VISTA

Tracy Letts could just as easily have called his latest play Train Wreck, so hot a mess is its 50-year-old protagonist that much of the pleasure of Letts’ relentlessly funny, defiantly unsentimental Linda Vista (a Steppenwolf visitor to the Mark Taper Forum) is watching its antihero (emphasis on the anti) get what he so richly deserves.
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DESERT RATS

It isn’t just aspiring kidnappers who owe it to themselves to check out Nate Rufus Edelman’s Desert Rats for a primer on what not to do when abducting a high school cheerleader but anyone seeking L.A. theater at its entertainingly edgy best.
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SISTERS THREE

A pair of quirky contemporary adult siblings bearing more than a passing resemblance to Anne and Emily Brontë generate dramatic sparks aplenty in Jami Brandli’s Sisters Three, that is until Charlotte shows up near the end and the Inkwell Theater World Premiere turns from a mostly quite absorbing two-hander to a solo performance that goes off the deep end … way off.
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ROPE

Director Anna Safar puts an unexpected but not unwelcome comedic spin on Patrick Hamilton’s Rope, a Robo & Bash Production at NoHo’s Avery Schreiber Playhouse.
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BUS STOP

No one wrote about 1950s middle-America more accurately, astringently, and affectionately than “Playwright of the Midwest” William Inge, proof positive of which can now be seen in Theatre 40’s absolutely terrific revival of Inge’s 1955 gem. (read more)

DEATH AND COCKROACHES

A man-sized cockroach with the body of a gay porn god offers a cock-addicted aspiring TV writer unexpected aid in dealing with his father’s imminent death in Eric Reyes Loo’s raunchy, risk-taking, emotionally rewarding dysfunctional-family dramedy Death And Cockroaches, a Chalk Repertory Theatre World Premiere.
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